The Electroacoustic Music Store

Matériaux composés Hi_Res

Hi_Res investigates a technology fetish, the kind often featured in B-series science-fiction movies. At the basis of Hi_Res is a text — a short excerpt from the user manual for the Motor Mix MIDI controller — read by Canadian composer Darren Copeland. In a sense, this assumed awkwardness highlights the absurd importance technology has taken in art. So I admit it: there is a kitsch side to this piece, and it is peppered with irony.

[English translation: François Couture, viii-07]


Hi_Res was realized at the studios of the Zentrum für Kunst und Medientechnologie Karlsruhe (ZKM) in Germany. A first version was premiered on February 11, 2005 during the trans_canada festival at the ZKM’s ZKM_Medientheater. The final version was premiered on May 14, 2005, under the provisional title Hi_Res.1, during the Elektra Festival at Usine C in Montréal. The piece was commissioned by the ZKM. My thanks to Ludger Brümmer, the team of the ZKM’s Institut für Musik & Akustik, and Darren Copeland.

Variants of this Track

  • 5.1 • PCM • 48 kHz • 24 bits
  • 5.1 • Dolby Digital • 48 kHz • 24 bits
  • 2.0 • PCM • 48 kHz • 24 bits
  • 2.0 • MP3 • 320 kbps
  • 2.0 • AAC • 320 kbps