An historic CD gathering the complete work for tape by composer Micheline Coulombe Saint-Marcoux, Impulsion is the musical testimony of a pionner in electroacoustic music in Québec. Influenced by Iannis Xenakis, met during Expo ’67 in Montréal, she studies in modern mathematics and leaves for the GRM in Paris to work with director Pierre Schaeffer. In the 70’s, she was the only woman to teach musical composition in the Montréal area and her efforts lead to the construction of the first electroacoustic studio at Montréal’s music conservatory. Based on voice as a fragile instrument and unfolding larges sonic motions, Coulombe Saint-Marcoux’s compositions reveals a unique ear and sensibility, preoccupied by the involvement of women in modern music.
New Zealand born John Young’s interest consist mainly in acousmatic music, particularly to the interactions between natural sounds and their digital counterparts. Whether it is the human breath or the sound of wind, the souvenir of a swing game or the sound of rain, his acoustic images serves as a springboard for more abstract associations and juxtapositions where sonic manipulation access its own realm of sensibility, while keeping a natural resonance, a subtle and human apprehension of the world by sound.
“… one of the most talented and sensitive jugglers of sounds we’ve heard” (Sonoloco Record Reviews, Sweden). Since its release, Gilles Gobeil’s new disc, … dans le silence de la nuit…, attracts a lot of praises and attention. Dark and fascinating, his sonic universe routs bias and produces extraordinary sonic depth. Inspired by both readings (Proust, HG Wells, Verne) and travels (Venice), Gobeil’s compositions leaves the listener breathless with its moving images and secret atmospheres. 50 minutes expressly remastered for this edition, illustrated by Luc Beauchemin.