<?xml version="1.0" encoding="us-ascii"?>
<label id="zzz_indie" href="http://www.electrocd.com/fr/boutique/zzz_indie/">
  <name>productions ind&#233;pendantes</name>
  <shortname>ind&#233;pendant</shortname>
  <recording id="skr_96" href="http://www.electrocd.com/fr/cat/skr_96/">
    <artist>[va]</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/96_SKR.gif" />
    <title>Pendler</title>
    <catno>SKR 96</catno>
    <year>1996</year>
    <format>
      <code>2xCD</code>
      <availability>hors-catalogue</availability>
    </format>
  </recording>
  <recording id="estherb_01dd" href="http://www.electrocd.com/fr/cat/estherb_01dd/">
    <artist>Esther B</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/01DD_ESTHERB.gif" />
    <title>It is not easy for Doug Engelbart to give a conference when Youppi and Mad Dog are in
    the house</title>
    <catno>ESTHERB 01DD</catno>
    <year>2005</year>
    <format>
      <code>CDR</code>
      <detail>&#233;dition &#171;deluxe-deluxe&#187;</detail>
      <price>10.00 CA$</price>
      <availability></availability>
    </format>
    <description>&#201;dition &#171;deluxe-deluxe&#187; du mini-CDR du m&#234;me titre (disponible
    dans le Distroboto &#224; Montr&#233;al, aussi paru en version web), avec en bonus, les deux
    fameux &#171;remix Diana Ross&#187;. Un hommage fort oblique &#224; l&#8217;inventeur de
    l&#8217;hypertexte, sans cesse d&#233;rang&#233; par les impertinentes interventions d&#8217;un
    ex-lutteur et d&#8217;une mascotte de base-ball. [dt]</description>
  </recording>
  <recording id="bi_01" href="http://www.electrocd.com/fr/cat/bi_01/">
    <artist>Magali Babin, i8u</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/01_BI.gif" />
    <title>Peak</title>
    <catno>BI 01</catno>
    <year>2003</year>
    <format>
      <code>CDR</code>
      <price>20.00 CA$</price>
      <availability></availability>
    </format>
    <description>&#8226;&#8226; Note: ce CDR a &#233;t&#233; produit en 2003</description>
  </recording>
  <recording id="nb_970101m" href="http://www.electrocd.com/fr/cat/nb_970101m/">
    <artist>Natasha Barrett</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/970101M_NB.gif" />
    <title>Rocks &amp; Wraiths</title>
    <catno>NB 970101M</catno>
    <year>1997</year>
    <format>
      <code>CD</code>
      <price>20.00 CA$</price>
      <rebate>
        <realprice>25.00 CA$</realprice>
        <percentage>20</percentage>
      </rebate>
      <availability></availability>
    </format>
  </recording>
  <recording id="nb_980101m" href="http://www.electrocd.com/fr/cat/nb_980101m/">
    <artist>Natasha Barrett</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/980101M_NB.gif" />
    <title>Chillies &amp; Shells</title>
    <catno>NB 980101M</catno>
    <year>1998</year>
    <format>
      <code>CD</code>
      <price>20.00 CA$</price>
      <rebate>
        <realprice>25.00 CA$</realprice>
        <percentage>20</percentage>
      </rebate>
      <availability></availability>
    </format>
  </recording>
  <recording id="mb_mm" href="http://www.electrocd.com/fr/cat/mb_mm/">
    <artist>Michelle Boudreau</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/MM_MB.gif" />
    <title>Ma Magie</title>
    <catno>MB MM</catno>
    <year>2003</year>
    <format>
      <code>CD</code>
      <price>10.00 CA$</price>
      <availability></availability>
    </format>
  </recording>
  <recording id="mb_ch" href="http://www.electrocd.com/fr/cat/mb_ch/">
    <artist>Michelle Boudreau</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/CH_MB.gif" />
    <title>Des passages de Charni&#232;re et autres pi&#232;ces</title>
    <catno>MB CH</catno>
    <year>2004</year>
    <format>
      <code>CD</code>
      <price>25.00 CA$</price>
      <availability></availability>
    </format>
  </recording>
  <recording id="mb_chmm" href="http://www.electrocd.com/fr/cat/mb_chmm/">
    <artist>Michelle Boudreau</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/CHMM_MB.gif" />
    <title>Des passages de Charni&#232;re + Ma magie et autres pi&#232;ces</title>
    <catno>MB CHMM</catno>
    <year>2004</year>
    <format>
      <code>2xCD</code>
      <price>30.00 CA$</price>
      <availability></availability>
    </format>
  </recording>
  <recording id="mb_2007" href="http://www.electrocd.com/fr/cat/mb_2007/" recent="yes">
    <artist>Michelle Boudreau, Derek Charke</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/2007_MB.gif" />
    <title>Les roches chantent</title>
    <catno>MB 2007</catno>
    <year>2007</year>
    <format>
      <code>CD</code>
      <price>25.00 CA$</price>
      <availability></availability>
    </format>
  </recording>
  <recording id="cc_01" href="http://www.electrocd.com/fr/cat/cc_01/">
    <artist>Cal Crawford</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/01_CC.gif" />
    <title>flume ridge.halifax.lisbon</title>
    <catno>CC 01</catno>
    <year>2003</year>
    <format>
      <code>CDR</code>
      <price>20.00 CA$</price>
      <availability></availability>
    </format>
    <description>CDR auto-produit avec 13 pi&#232;ces in&#233;dites du compositeur. &#201;dition
    extr&#234;mement limit&#233;e (10 exemplaires num&#233;rot&#233;s). &#8226;&#8226; Note: ce CDR
    a &#233;t&#233; produit en 2003</description>
  </recording>
  <recording id="gph_001" href="http://www.electrocd.com/fr/cat/gph_001/">
    <artist>Ken Gregory, Steve Heimbecker, Shawn Pinchbeck</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/001_GPH.gif" />
    <title>Sonic Waking</title>
    <catno>GPH 001</catno>
    <year>2005</year>
    <format>
      <code>CD</code>
      <price>21.75 CA$</price>
      <rebate>
        <realprice>25.00 CA$</realprice>
        <percentage>13</percentage>
      </rebate>
      <availability></availability>
    </format>
    <description>[traduction fran&#231;aise non disponible] &#8220;The recordings on this cd mark
    the beginnings of Send + Receive: A Festival of Sound, a festival which I directed until 2004.
    On November 21, 1998, a crowd of about 100 people gathered in the Bulman Student Centre at the
    University of Winnipeg. No one was sure what to expect from the pile of gear installed in the
    middle of the room surrounded by some chairs, and four speakers (a quadraphonic mix). While
    Ken, Steve and Shawn began to play, the audience took up the &#8216;invitation&#8217; to gather
    round. Chairs were slid to the side. The performance gradually built up layers of sound and
    then something totally unexpected happened. The crowd began to circle, mostly counterclockwise,
    in a slow orbit around the artists, moving into and out of different sound fields, creating
    their own &#8216;mix,&#8217; erasing the role of &#8216;passive&#8217; audience and encouraged
    active participation, one that celebrates improvisation, and rewards people for getting off
    their asses. It was a spontaneous and beautiful reaction, to this day one of my favourite
    moments of Send + Receive.&#8221; -Steve Bates, February 2006 &#8220;In 1993 and 1994, Ken
    Gregory, Steve Heimbecker and Shawn Pinchbeck met at various sound art happenings in western
    Canada. Previously not knowing that each other were active in the prairies, they quickly
    realized that they had many things in common with their artistic practices and their origins in
    the mid eighties in isolation in their respective prairie cities; Ken from Winnipeg Manitoba,
    Steve from Calgary Alberta, and Shawn from Edmonton Alberta. In 1995, Steve and Shawn, because
    of their close proximity, started collaborating together regularly. Ken and Steve both went to
    Edmonton several times in the mid to late ninties to perform and conduct workshops for the
    Boreal Electroacoustic Music Society (BEAMS) of which Shawn was the president of at the time.
    This particular project started out in February 1998 with an invitation to Ken, Steve and Shawn
    to go to emmedia in Calgary to do a week long collaborative residency ending with a concert at
    the Alberta College of Art and Design. The results were inspiring for all of them. Ken arranged
    a concert in November 1998 at the Send and Receive [001] a festival of sound in Winnipeg. This
    recording is the result of that concert and indeed a snapshot of the electroacoustic activities
    going on in the prairies at that time.&#8221; -Shawn Pinchbeck</description>
  </recording>
  <recording id="obqa_0102" href="http://www.electrocd.com/fr/cat/obqa_0102/">
    <artist>Steve Heimbecker</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/0102_OBQA.gif" />
    <title>Songs of Place</title>
    <catno>OBQA 0102</catno>
    <year>2005</year>
    <format>
      <code>2xDVD-V</code>
      <detail>+ livre &#8226; Canada, &#201;U</detail>
      <price>79.00 CA$</price>
      <availability></availability>
    </format>
    <format>
      <code>2xDVD-V</code>
      <detail>+ livre &#8226; autres pays</detail>
      <price>93.00 CA$</price>
      <availability></availability>
    </format>
    <format>
      <code>2xDVD-V</code>
      <detail>+ livre &#8226; institution</detail>
      <price>223.00 CA$</price>
      <availability></availability>
    </format>
    <description>2 DVD-Vid&#233;o [NTSC, multi-r&#233;gion, Dolby Digital, DTS Surround] Les deux
    DVD-V pr&#233;sentent quatre portraits vid&#233;os et sonores multiphoniques de lieux: Halifax
    (N&#201;), Montr&#233;al (QC), Vancouver (CB) et Springwater (SK). En production depuis 2000,
    cette s&#233;rie a &#233;t&#233; remast&#233;ris&#233;e en 2004 &#224; des fins de publication
    dans le Laboratoire nouveaux m&#233;dias d&#8217;Oboro, alors que Steve Heimbecker y
    poursuivait des recherches comme artiste en r&#233;sidence. Pour la publication, cinq auteurs
    ont &#233;t&#233; invit&#233;s &#224; r&#233;fl&#233;chir sur ces &#171;portraits&#187; de
    lieux: Vincent Bonin, Anna Friz, Christof Migone, F Scott Taylor, Barry Truax. L&#8217;artiste
    lui-m&#234;me propose &#233;galement un texte d&#8217;analyse de ses dix derni&#232;res
    ann&#233;es de recherche.</description>
  </recording>
  <recording id="oj_2000" href="http://www.electrocd.com/fr/cat/oj_2000/">
    <artist>Otto Joachim</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/2000_OJ.gif" />
    <title>Elektroakustische Momente</title>
    <catno>OJ 2000</catno>
    <year>2000</year>
    <format>
      <code>2xCD</code>
      <availability>hors-catalogue</availability>
    </format>
  </recording>
  <recording id="vi_00" href="http://www.electrocd.com/fr/cat/vi_00/">
    <artist>Mathieu L&#233;vesque</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/00_VI.gif" />
    <title>D&#244;me g&#233;od&#233;sique</title>
    <catno>VI 00</catno>
    <year>2005</year>
    <format>
      <code>CD</code>
      <price>25.00 CA$</price>
      <availability></availability>
    </format>
    <description>&#171;C&#8217;est sans doute le summum du minimalisme&#8230;&#187;
    &#8212;Voir</description>
  </recording>
  <recording id="mid_1992" href="http://www.electrocd.com/fr/cat/mid_1992/">
    <artist>Mark Mushet</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/1992_MID.gif" />
    <title>Paul Dolden: The Threshold of Deafening Silence</title>
    <catno>MID 1992</catno>
    <year>1992</year>
    <format>
      <code>VIDEO</code>
      <detail>VHS NTSC Hi-Fi st&#233;r&#233;o</detail>
      <price>30.00 CA$</price>
      <availability></availability>
    </format>
    <description>2 derniers exemplaires &#8226; Vid&#233;o musicale documentaire</description>
  </recording>
  <recording id="rousse_01" href="http://www.electrocd.com/fr/cat/rousse_01/">
    <artist>Julie Rousse</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/01_ROUSSE.gif" />
    <title>Quelques minutes sur les bienfaits de la guerre</title>
    <catno>ROUSSE 01</catno>
    <year>2003</year>
    <format>
      <code>CDR3</code>
      <availability>hors-catalogue</availability>
    </format>
  </recording>
  <recording id="jls_2005" href="http://www.electrocd.com/fr/cat/jls_2005/">
    <artist>Jorge L Sad</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/2005_JLS.gif" />
    <title>Retransmisi&#243;n</title>
    <catno>JLS 2005</catno>
    <year>2005</year>
    <format>
      <code>CD</code>
      <detail>+ vid&#233;oclip</detail>
      <price>25.00 CA$</price>
      <availability></availability>
    </format>
    <description>[traduction fran&#231;aise non disponible] [Les instruments de musique:]
    &#8220;Ils seront employ&#233;s &#224; l&#8217;&#233;tat d&#8217;objets et comme faisant partie
    du d&#233;cor. [&#8230;] De plus, la n&#233;cessit&#233; d&#8217;agir directement et
    profond&#233;ment sur la sensibilit&#233; par les organes invite, du point de vue sonore,
    &#224; rechercher des qualit&#233;s et des vibrations de sons absolument inaccoutum&#233;es,
    qualit&#233;s que les instruments de musique actuels ne poss&#232;dent pas, et qui poussent
    &#224; remettre en usage des instruments anciens et oubli&#233;s, ou &#224; cr&#233;er des
    instruments nouveaux. Elles poussent aussi &#224; rechercher, en dehors de la musique, des
    instruments et des appareils qui, bas&#233;s sur des fusions sp&#233;ciales ou des alliages
    renouvel&#233;s de m&#233;taux, puissent atteindre un diapason nouveau de l&#8217;octave,
    produire des sons ou des bruits insupportables, lancinants.&#8221;&#8212; Antonin Artaud, Le
    th&#233;&#226;tre et son double Retransmisi&#243;n is a collective creation based on Antonin
    Artaud&#8217;s radiophonic work Pour en finir avec le jugement de Dieu [To Have Done With the
    Judgment of God], for three improvisers, live electronics, and edited video images. Composed by
    Jorge L Sad, with the Gest(u)alt Ensamble (Juliana Moreno, flute; Claudio Eiriz, percussion and
    vocals; Javier Mariani, clarinet and wakra-phuku; Francisco Colasanto, Max/MSP programming and
    computer; Gabriel Gendin, audio engineer), and video images by Deborah Lynne. The old vinyl
    recordings of the performance have been digitalized without any restoration process, in order
    to leave &#8220;the sound of time&#8221; untouched. The sonic character of the voice of Artaud
    and the other actors (Mar&#237;a Casares and Roger Blin), their visceral inflexions and strong
    sound qualities, were the models that we have taken to elaborate the character of the different
    sections of the work. Retransmisi&#243;n is an hommage to Artaud and his prophetic vision of
    the 21st century: cloning for military purposes, wars made by remote control to impose american
    products, destruction of nature.</description>
  </recording>
  <recording id="vl_01" href="http://www.electrocd.com/fr/cat/vl_01/" recent="yes">
    <artist>Virgule</artist>
    <artistdetail>Allen, B</artistdetail>
    <cover href="http://www.electrocd.com/res/couv.lrg/01_VL.gif" />
    <title>Let&#8217;s Go to Easter Island</title>
    <catno>VL 01</catno>
    <year>2007</year>
    <format>
      <code>CDR3</code>
      <price>15.00 CA$</price>
      <availability></availability>
    </format>
    <description>Toutes les pi&#232;ces improvis&#233;es par Esther B et Gordon Allen &#224;
    Montr&#233;al, &#224; la Fonderie Darling, 2006. Let&#8217;s Go to Easter Island est un album
    bas&#233; sur l&#8217;improvisation enregistr&#233; spontan&#233;ment &#224; la Fonderie
    Darling de Montr&#233;al au cours de l&#8217;automne 2006. Cette rencontre de deux instruments
    tr&#232;s diff&#233;rents marque un espace musical sp&#233;cifique entre deux atmosph&#232;res
    qui traversent une large palette color&#233;e. C&#8217;est vraiment myst&#233;rieux, dans le
    flot, lorsque quelques notes fusionnent. Quand ils ne dansent pas sur Youtube ou visitent des
    galeries, Virgule r&#233;p&#232;tent ou jouent en concert. Ils souhaitent &#233;ventuellement
    faire une r&#233;sidence sur l&#8217;&#206;le de P&#226;ques ou sur tout autre &#238;le
    tropicale.</description>
  </recording>
</label>
