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<label id="squintfuckerpress" href="http://www.electrocd.com/fr/boutique/squintfuckerpress/">
  <name>Squint Fucker Press</name>
  <shortname>Squint Fucker</shortname>
  <recording id="squint_00d" href="http://www.electrocd.com/fr/cat/squint_00d/">
    <artist>Vito Acconci</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/00D_SQUINT.gif" />
    <title>Waterways: four saliva studies</title>
    <catno>SQUINT 00D</catno>
    <year>2000</year>
    <format>
      <code>CD</code>
      <price>25.00 CA$</price>
      <availability></availability>
    </format>
    <description>[traduction fran&#231;aise non disponible] This releases includes the soundtrack
    to Acconci&#8217;s 1971 video &#8220;Waterways: Four Saliva Studies&#8221; + a remix by undo
    (Christof Migone and Alexandre St-Onge) entitled &#8220;Vito Acconci&#8217;s undoing.&#8221; cd
    in custom cardboard box with video stills of each Acconci study covered by hand in silver
    paint.</description>
  </recording>
  <recording id="squint_00f" href="http://www.electrocd.com/fr/cat/squint_00f/">
    <artist>Cal Crawford</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/00F_SQUINT.gif" />
    <title>Sitting on theories on the frontier on extension</title>
    <catno>SQUINT 00F</catno>
    <year>2003</year>
    <format>
      <code>CD</code>
      <price>25.00 CA$</price>
      <availability></availability>
    </format>
    <description>[traduction fran&#231;aise non disponible] Cal Crawford is a performative
    scientist, an investigator of phenomenological minutiae, a squint artist. Akin to Erik
    Satie&#8217;s advice to the performer of his Vexations to prepare oneself with some
    &#8220;serious immobilities,&#8221; Crawford here examines the impossibilities of holding
    still. For &#8220;sitting on theories on the frontier on extension,&#8221; his first full
    length solo CD, he generated sounds by sitting on top of a bundle of blankets with a microphone
    rolled up into its center. This one hour process was his starting point. He did further
    recordings by putting bodily pressure of various types of microphones: in water, clothing,
    skin, etc. Pressure was also created by heat, as in boiling water. The title &#8220;sitting on
    theories on the frontier on extension&#8221; refers to Crawford&#8217;s attempts to create a
    spatially extended recording from acts that lacked a movement through space and instead focused
    on increasing the distance of/inside specific points: pressure points. As with all squint
    fucker press publications the CD cover exhibits an individual trace, a gesture, an
    intervention. In this case, each CD cover is hammered on a concrete block, the hit is aimed at
    the center where the title is printed. The hit might miss, partially obscure, or obliterate the
    title. The pressure points to itself. It boils over, whistles. Cal Crawford, presently residing
    in Montr&#233;al, spent his formative years in the backwoods of New Brunswick. Using field,
    body, and situational recordings, he stages a strange and uncertain universe of sonic matter in
    a wholly dramatic and rigorous manner.</description>
  </recording>
  <recording id="squint_00g" href="http://www.electrocd.com/fr/cat/squint_00g/">
    <artist>Et Sans</artist>
    <artistdetail>St-Onge, Tellier-Craig</artistdetail>
    <cover href="http://www.electrocd.com/res/couv.lrg/00G_SQUINT.gif" />
    <title>Mi La le m&#233;moire est chasse la mille voix t&#234;tes de t&#234;te dans de sa Ris
    neige: le monstre absent</title>
    <catno>SQUINT 00G</catno>
    <year>2004</year>
    <format>
      <code>CD3</code>
      <price>15.00 CA$</price>
      <availability></availability>
    </format>
    <description>&#171;De travers, il y a des masses douteuses, de la verticalit&#233;, de
    l&#8217;horizontalit&#233;, mais surtout des tentatives d&#8217;incoh&#233;rence et de
    l&#8217;entre-dedans...Tous les moyens sont bons pour qu&#8217;ils explorent et exploitent
    explicitement leurs entit&#233;s respectives et leur fr&#232;re siamois Et Sans :
    v&#233;ritable organe de distribution de l&#8217;excr&#233;mentialit&#233; partag&#233;e.
    Instruments acoustiqu&#8217;&#233;lectroniqu&#8217;autres, bidules vox vox, etc. Parce que tout
    est l&#224; et qu&#8217;il faut bien faire avec, parce que les protagonistes de Et Sans sont
    presque aussi pr&#233;tentieux que vous&#8230;&#187; L&#8217;objet lui-m&#234;me est
    l&#8217;espace d&#8217;un geste qui s&#8217;efface et efface la surface qui devient ici une
    accumulation du m&#234;me en d&#233;composition.</description>
  </recording>
  <recording id="squint_00h" href="http://www.electrocd.com/fr/cat/squint_00h/">
    <artist>Veda Hille, Christof Migone</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/00H_SQUINT.gif" />
    <title>Escape Songs</title>
    <catno>SQUINT 00H</catno>
    <year>2004</year>
    <format>
      <code>CD</code>
      <availability>rupture de stock temporaire</availability>
    </format>
    <description>Collaboration entre Christof Migone (Montr&#233;al) et Veda Hille (Vancouver)
    concoct&#233; durant des rencontres secr&#232;tes &#224; chaque ann&#233;e entre 2000 et 2004.
    Petits sons, mini-machines de guerres, crachats, l&#232;chements chanceux et oui, quelques
    chansons. Ces chansons dont on aimerait se soustraire. Des chansons qui s&#8217;&#233;chappent
    de la fuite des chansons. Veda et Christof les ont &#233;crites et enregistr&#233;es, puis ils
    ont fignol&#233;s jusqu&#8217;&#224; qu&#8217;elles deviennent autre chose. Une organisation de
    ces voix intimes qui nous distrait, qu&#8217;on &#233;coute effray&#233;, qu&#8217;on souhaite
    en m&#234;me temps cultiver et faire fuir. Les chansons d&#233;campent. Squint Fucker Press
    &#233;dite leurs fuite. &#192; appr&#233;cier, sinon allez &#224; l&#8217;h&#244;pital pour une
    sympathictomie. Digipak avec gouttes de vernis transparent sur la couverture.</description>
  </recording>
  <recording id="squint_00e" href="http://www.electrocd.com/fr/cat/squint_00e/">
    <artist>Jonathan Parant</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/00E_SQUINT.gif" />
    <title>Litt&#233;rature</title>
    <catno>SQUINT 00E</catno>
    <year>2003</year>
    <format>
      <code>CD</code>
      <price>25.00 CA$</price>
      <availability></availability>
    </format>
    <description>[traduction fran&#231;aise non disponible] Jonathan Parant has documented the
    spectral voices which emerge from things when we listen to them with fascination. His pieces
    indicate that there&#8217;s always a type of murmur which obligates us to remain attentive to
    what could happen, of what has happened, or what will never happen. Because the moment of
    listening inscribes us in the interstices of time. Therefore, let us not try to comprehend
    these little sound objects, but listen to them, &#8220;lean in their direction,&#8221; travel
    to nowhere with them. CD is in a clear jewel case and contains various shades of pink. every
    cover shows traces of being almost burnt. Jonathan is member of Fly Pan Am and Les Sir&#232;nes
    de Sorrente.</description>
  </recording>
  <recording id="squint_00b" href="http://www.electrocd.com/fr/cat/squint_00b/">
    <artist>Sam Shalabi</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/00B_SQUINT.gif" />
    <title>Luteness</title>
    <catno>SQUINT 00B</catno>
    <year>2000</year>
    <format>
      <code>CD</code>
      <availability>&#233;puis&#233;</availability>
    </format>
  </recording>
  <recording id="squint_00c" href="http://www.electrocd.com/fr/cat/squint_00c/">
    <artist>Alexandre St-Onge</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/00C_SQUINT.gif" />
    <title>kasi naigo</title>
    <catno>SQUINT 00C</catno>
    <year>2001</year>
    <format>
      <code>CD</code>
      <price>25.00 CA$</price>
      <availability></availability>
    </format>
    <description>&#171;un essai &#233;crit autour et &#224; partir des silences du film Tystnaden
    (The silence) de Ingmar Bergman&#187; (Alexandre St-Onge)</description>
  </recording>
  <recording id="squint_00i" href="http://www.electrocd.com/fr/cat/squint_00i/">
    <artist>Alexandre St-Onge</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/00I_SQUINT.gif" />
    <title>L'amiti&#233; ou les rumeurs insoutenables du d&#233;sir</title>
    <catno>SQUINT 00I</catno>
    <year>2006</year>
    <format>
      <code>CD</code>
      <price>25.00 CA$</price>
      <availability></availability>
    </format>
    <description>L&#8217;inconnu(e)? vous demande comment le sentiment d&#8217;aimer pourrait
    survenir. Vous n&#8217;en savez rien. Personne ne sait. Elle vous r&#233;pond : peut-&#234;tre
    d&#8217;une faille dans la logique de l&#8217;univers. Elle dit : par exemple d&#8217;une
    erreur. Elle dit : jamais d&#8217;un vouloir.</description>
  </recording>
  <recording id="squint_00a" href="http://www.electrocd.com/fr/cat/squint_00a/">
    <artist>Undo</artist>
    <artistdetail>Migone, St-Onge</artistdetail>
    <cover href="http://www.electrocd.com/res/couv.lrg/00A_SQUINT.gif" />
    <title>Un sperme qui meurt, de froid, en agitant faiblement la petite queue, dans les draps
    d&#8217;un gamin</title>
    <catno>SQUINT 00A</catno>
    <year>2000</year>
    <format>
      <code>CD</code>
      <price>25.00 CA$</price>
      <availability></availability>
    </format>
    <description>Instrumentation: microphones. Site: bouches. Tous les titres du disque viennent
    d&#8217;une page dans &#171;L&#8217;Innommable&#187; de Samuel Beckett. Undo est le duo de
    Christof Migone et Alexandre St-Onge. Ceci est la premi&#232;re parution sur le label Squint
    Fucker Press.</description>
  </recording>
</label>
