<?xml version="1.0" encoding="us-ascii"?>
<label id="earsay" href="http://www.electrocd.com/en/boutique/earsay/">
  <name>Earsay</name>
  <shortname>Earsay</shortname>
  <recording id="es_98001" href="http://www.electrocd.com/en/cat/es_98001/">
    <artist>[va]</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/98001_ES.gif" />
    <title>harangue I</title>
    <catno>ES 98001</catno>
    <year>1998</year>
    <format>
      <code>CD</code>
      <price>20.00 CA$</price>
      <rebate>
        <realprice>25.00 CA$</realprice>
        <percentage>20</percentage>
      </rebate>
      <availability></availability>
    </format>
    <description>Earsay first CD. Evocative electroacoustic works by 6 Earsay artists. harangue I
    showcases work that shares a concern for rich, carefully crafted sound and a gutsy, intense
    sensibility. &#8226; &#8220;The sound is excellent throughout.&#8221; &#8212;Computer Music
    Journal &#8226; &#8220;glows with a human beating heart&#8221; &#8212;Mark Parlett, eContact
    &#8226; &#8220;Great label, superb compilation of all new music artists on the label. Highly
    recommended.&#8221; &#8212;Earwaves online magazine &#8226; &#8220;amazing music&#8230;&#8221;
    &#8212;George Zahora, splendidezine.com</description>
  </recording>
  <recording id="es_98005" href="http://www.electrocd.com/en/cat/es_98005/">
    <artist>[va]</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/98005_ES.gif" />
    <title>harangue II</title>
    <catno>ES 98005</catno>
    <year>1998</year>
    <format>
      <code>CD</code>
      <price>20.00 CA$</price>
      <rebate>
        <realprice>25.00 CA$</realprice>
        <percentage>20</percentage>
      </rebate>
      <availability></availability>
    </format>
    <description>2nd Earsay compillation CD: fresh evocative electroacoustic works by 6 Earsay
    artists.</description>
  </recording>
  <recording id="es_99001" href="http://www.electrocd.com/en/cat/es_99001/">
    <artist>Rainer B&#252;rck</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/99001_ES.gif" />
    <title>Without Fear</title>
    <catno>ES 99001</catno>
    <year>1999</year>
    <format>
      <code>CD</code>
      <price>20.00 CA$</price>
      <rebate>
        <realprice>25.00 CA$</realprice>
        <percentage>20</percentage>
      </rebate>
      <availability></availability>
    </format>
    <description>A complex sonic tapestry: Without Fear features works for solo instrument and
    interactive computer electronics, as well as works for tape alone. Performances by Miriam
    Arnold, flute, and G&#252;nter Marx, violin, reveal such a close integral relationship between
    musician and electronics that it truly sounds like extensions of the instruments themselves.
    B&#252;rck&#8217;s music is sometimes eerie, sometimes playful and always wonderfully rich and
    vivid. &#8226; &#8220;The evocative strength of &#8216;Des ombres de la nuit&#8217; on its own
    is worth finding this record and listening to it.&#8221; &#8212;Fran&#231;ois Couture,
    D&#233;lire actuel, CFLX-FM, Sherbrooke (Qu&#233;bec)</description>
  </recording>
  <recording id="es_98002" href="http://www.electrocd.com/en/cat/es_98002/">
    <artist>Andrew Czink</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/98002_ES.gif" />
    <title>Escape Velocity, Extreme Piano</title>
    <catno>ES 98002</catno>
    <year>1998</year>
    <format>
      <code>CD</code>
      <price>20.00 CA$</price>
      <rebate>
        <realprice>25.00 CA$</realprice>
        <percentage>20</percentage>
      </rebate>
      <availability></availability>
    </format>
    <description>Rich, intricate, rhythmic,layered. A virtuosic performer, Czink wrings hidden
    orchestras from his instrument and changes how we hear piano music. &#8226;
    &#8220;Czink&#8217;s composition invites us and sometimes grabs us by the scruff of the
    ears&#8221; &#8212;Mark Parlett, eContact &#8226; &#8220;Czink has achieved an impressive
    feat.&#8221; &#8212;George Zahora, splendidezine.com &#8226; &#8220;&#8230; chops to
    burn&#8230; ears saturated in music. Intense&#8230;&#8221; &#8212;Coda Magazine</description>
  </recording>
  <recording id="es_98003" href="http://www.electrocd.com/en/cat/es_98003/">
    <artist>Susan Frykberg</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/98003_ES.gif" />
    <title>Astonishing Sense of Being Taken Over by Something Far Greater Than Me</title>
    <catno>ES 98003</catno>
    <year>1998</year>
    <format>
      <code>CD</code>
      <price>20.00 CA$</price>
      <rebate>
        <realprice>25.00 CA$</realprice>
        <percentage>20</percentage>
      </rebate>
      <availability></availability>
    </format>
    <description>A collection to saturate the senses, Astonishing Sense features exquisite
    performances by vocalists Kate Hammett-Vaughan and DB Boyko, and violinist Nancy DiNovo, and
    includes works from Frykberg&#8217;s moving Audio Birth Project. &#8226; &#8220;an emotional
    chisel&#8230; sonically expressing something that is inexpressible, and ultimately beyond mere
    words or music.&#8221; &#8212;Mark Parlett, eContact &#8226; &#8220;&#8230; primal,
    cathartic&#8230; its frenetic sounds will certainly get your heart racing in short order. All
    [tracks] are tremendously powerful&#8230;&#8221; &#8212;George Zahora, splendidezine &#8226;
    &#8220;a tour de force in both composition and subject&#8230; sumptuous and dynamic sound
    textures throughout.&#8221; &#8212;Anna Rubin, Computer Music Journal</description>
  </recording>
  <recording id="es_05001" href="http://www.electrocd.com/en/cat/es_05001/">
    <artist>Fran&#231;ois Houle</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/05001_ES.gif" />
    <title>Double Entendre</title>
    <catno>ES 05001</catno>
    <year>2005</year>
    <format>
      <code>CD</code>
      <price>25.00 CA$</price>
      <availability></availability>
    </format>
    <description>Internationally-acclaimed Vancouver clarinetist Fran&#231;ois Houle has taken the
    idea of Boulez&#8217;s &#8220;shadow dialogue&#8221; as inspiration for a program of works
    where the sound of his clarinet becomes the core of rich sound textures.</description>
  </recording>
  <recording id="es_99002" href="http://www.electrocd.com/en/cat/es_99002/">
    <artist>Dami&#225;n Keller</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/99002_ES.gif" />
    <title>Touch &#8217;n&#8217; go / Toco y me voy</title>
    <catno>ES 99002</catno>
    <year>1999</year>
    <format>
      <code>CD</code>
      <detail>Enhanced CD</detail>
      <price>20.00 CA$</price>
      <rebate>
        <realprice>25.00 CA$</realprice>
        <percentage>20</percentage>
      </rebate>
      <availability></availability>
    </format>
    <description>Dami&#225;n Keller&#8217;s music is based on &#8220;ecological sound models&#8221;
    that he&#8217;s been developing in CSound over the past two years. The music is gesturally
    intense and spacially sophisticated. The enhanced portion of the CD includes poetic text, sound
    examples and most of the CSound code that was used to create the sounds on the CD! This extra
    content is accessible on any computer with a web browser.</description>
  </recording>
  <recording id="es_98004" href="http://www.electrocd.com/en/cat/es_98004/">
    <artist>John Oliver</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/98004_ES.gif" />
    <title>Icicle Blue Avalanche</title>
    <catno>ES 98004</catno>
    <year>1998</year>
    <format>
      <code>CD</code>
      <price>20.00 CA$</price>
      <rebate>
        <realprice>25.00 CA$</realprice>
        <percentage>20</percentage>
      </rebate>
      <availability></availability>
    </format>
    <description>Icicle Blue Avalanche rolls over the listener with extraordinary, sculpted sounds.
    The collection features both electroacoustic studio works and solo electric/MIDI guitar.
    &#8226; &#8220;one of the most viscerally dramatic discs I&#8217;ve heard in quite a
    while&#8230; huge slabs of extremely solid music&#8221; &#8212;George Zahora, splendidezine.com
    &#8226; &#8220;&#8230; shimmering bells of guitar, softly growling guitar.&#8221; &#8212;Andra
    McCartney, Musicworks &#8226; &#8220;most engaging, creating an image of the guitar coming to
    life via some sorcerer&#8217;s apprentice and doing mischief&#8230; A most effective and
    evocative piece.&#8221; &#8212;Computer Music Journal</description>
  </recording>
  <recording id="es_00001" href="http://www.electrocd.com/en/cat/es_00001/">
    <artist>Structural Damage</artist>
    <artistdetail>Czink, Magnanensi, Oliver, Schmidt</artistdetail>
    <cover href="http://www.electrocd.com/res/couv.lrg/00001_ES.gif" />
    <title>Live at the Lux</title>
    <catno>ES 00001</catno>
    <year>2000</year>
    <format>
      <code>CD</code>
      <price>20.00 CA$</price>
      <rebate>
        <realprice>25.00 CA$</realprice>
        <percentage>20</percentage>
      </rebate>
      <availability></availability>
    </format>
  </recording>
  <recording id="es_02001" href="http://www.electrocd.com/en/cat/es_02001/">
    <artist>Trionys</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/02001_ES.gif" />
    <title>Vector Alpha</title>
    <catno>ES 02001</catno>
    <year>2002</year>
    <format>
      <code>CD</code>
      <price>25.00 CA$</price>
      <availability></availability>
    </format>
  </recording>
  <recording id="es_02002" href="http://www.electrocd.com/en/cat/es_02002/">
    <artist>Hildegard Westerkamp</artist>
    <cover href="http://www.electrocd.com/res/couv.lrg/02002_ES.gif" />
    <title>Into India</title>
    <catno>ES 02002</catno>
    <year>2002</year>
    <format>
      <code>CD</code>
      <price>25.00 CA$</price>
      <availability></availability>
    </format>
    <description>The highly anticipated Into India project was developed over a ten year period.
    &#8220;All sounds for these compositions,&#8221; Westerkamp explains, &#8220;were recorded
    during my travels in India in the 1990&#8217;s. They form the language with which I speak, of a
    relationship, of a love, that I developed for this initially very foreign place.&#8221;
    Exploring the contrasts and intensity which India presents to the visitor, &#8220;the
    relentless confrontation&#8230; the extremes between beauty and filth, glittering wealth and
    devastating poverty,&#8221; Into India reveals Westerkamp at the height of her compositional
    and philosophical powers. These works have captured &#8220;the extraordinary intensity of daily
    living on the one hand and the inner radiance, focus, and stillness on the other hand that
    emanate from deep within the culture and its people&#8230;&#8221;</description>
  </recording>
</label>
