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    <title>electrocd.com - Dépêches</title>
    <link>http://www.electrocd.com/</link>
    <description>electrocd.com - Dépêches</description>
    <language>fr-ca</language>
    <pubDate>2012-02-09T00:00:00-06:00</pubDate>
    <lastBuildDate>2012-02-09T00:00:00-06:00</lastBuildDate>
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    <managingEditor>web@electrocd.com</managingEditor>
    <webMaster>web@electrocd.com</webMaster>
    <ttl>5</ttl>
    <item>
      <title>Nouvel arrivage: Travaux mécaniques par Nicolas Bernier</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=catalogue-20120209</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=catalogue-20120209</guid>
      <author>web@electrocd.com</author>
      <category>Nouveautés</category>
      <pubDate>2012-02-09T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
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                        <a href="http://www.electrocd.com/fr/cat/imed_12114/" title="Travaux m&eacute;caniques"><img src="http://www.electrocd.com/res/image.php/couv/imed_12114.jpg?width=160" class="catimg" alt="Travaux m&eacute;caniques" title="Nicolas Bernier: Travaux m&eacute;caniques" /></a>
                      
                      
                      
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    <p>
      Nous vous invitons &agrave; d&eacute;couvrir
      
      
      <a href="http://www.electrocd.com/fr/cat/imed_12114/" class="cat" class="t">Travaux m&eacute;caniques</a>
      par <a href="http://www.electrocd.com/fr/bio/bernier_ni/discog/" class="bio" class="ind">Nicolas Bernier</a>,
      
      le plus r&eacute;cent article ajout&eacute; &agrave; notre boutique.
      
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  <a href="http://www.electrocd.com/fr/radio/?poste=cat_imed_12114" class="radio"><img src="http://www.electrocd.com/res/element/btn-play.png" />
Travaux m&eacute;caniques</a>
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      <title>2 au 15 février 2012: electro:thèque présente: En première rangée 10</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=theque_3607</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=theque_3607</guid>
      <author>web@electrocd.com</author>
      <category>electro:thèque</category>
      <pubDate>2012-02-02T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                    <p>
                      
                        
          
                        <a href="http://www.electrocd.com/fr/cat/imed_9947/" title="Moment"><img src="http://www.electrocd.com/res/image.php/couv/imed_9947.jpg?width=160" class="catimg" alt="Moment" title="Hans Tutschku: Moment" /></a>
                      
                      
                      
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        <p>
          Aujourd’hui dans 
          <a href="http://electrotheque.net/" class="out"><b>electro:th&egrave;que</b></a>,
          &eacute;coutez l’int&eacute;grale de l’album <span class="t">Moment</span>
          par Hans Tutschku.

          
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      <title>Obtenez jusqu’à 10$ de rabais par disque</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9828</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9828</guid>
      <author>web@electrocd.com</author>
      <category>Général</category>
      <pubDate>2011-12-13T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                  
                  
                    
  
    
      
        <p>Le panier d’<b>electrocd.com</b> offre pour un temps limit&eacute; des rabais «r&eacute;cursifs» (selon la s&eacute;rie de nombres triangulaires), ce, d&egrave;s le premier disque!</p> <p>Alors que le premier article a un rabais de <b>1$</b>; le second a un rabais de 2$ (donc un rabais cumulatif de <b>3$</b>); le 3e, de 3$ (un rabais total de <b>6$</b>); le 4e, de 4$ (un rabais cumulatif de <b>10$</b>); le 5e, de 5$ (un rabais cumulatif de <b>15$</b>), et ainsi de suite jusqu’&agrave; un rabais maximal de 10$ par article pour le dixi&egrave;me article (alors un rabais total de <b>55$</b>) et les suivants.</p> <p>Essayez-le!</p>
      
    
  

  
  
  
  
  
  
  
    
  

  
    
    
    
      
        
  
        
          
        
      
    
  


                  
                
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      <title>Créations d’œuvres</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=creation</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=creation</guid>
      <author>web@electrocd.com</author>
      <category>Créations d’œuvres</category>
      <pubDate>2012-02-09T00:00:00-06:00</pubDate>
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          <p>
  
          Aujourd’hui <span class="date">9 f&eacute;vrier 2012</span>
          a lieu la cr&eacute;ation de
          
          
          
        
        
        

        <a href="http://www.electrocd.com/fr/oeuvres/select/?id=31836" class="w" class="oeuvre">Antith&egrave;se &eacute;lectronique</a>
de <a href="http://www.electrocd.com/fr/bio/bernier_ni/discog/" class="bio" class="ind">Nicolas Bernier</a>
&agrave; Montr&eacute;al.
  
        
        
        
          
            </p>
          
  
          
        
      
    

    
      
        <p>D’autres cr&eacute;ations r&eacute;centes et &agrave; venir:</p>
      
  
      <ul class="date-list-mini">
        
          

          <li>
            
              <span class="date">2 f&eacute;v</span>, Cardiff:
            

            
        
            
    
            <a href="http://www.electrocd.com/fr/oeuvres/select/?id=32853" class="w" class="oeuvre">Eclipse</a>
            de <a href="http://www.electrocd.com/fr/bio/lewis_an/discog/" class="bio" class="ind">Andrew Lewis</a>
            
          </li>
        
          

          <li>
            
              <span class="date">16 f&eacute;v</span>, Huddersfield:
            

            
        
            
    
            <a href="http://www.electrocd.com/fr/oeuvres/select/?id=19264" class="w" class="oeuvre">Yawar Fiesta</a>
            de <a href="http://www.electrocd.com/fr/bio/vandegorne_an/discog/" class="bio" class="ind">Annette Vande Gorne</a> / <a href="http://www.electrocd.com/fr/bio/lambersy_we/discog/" class="bio" class="ind">Werner Lambersy</a>
            
          </li>
        
          

          <li>
            
              <span class="date">18 f&eacute;v</span>, Tokyo:
            

            
        
            
    
            <a href="http://www.electrocd.com/fr/oeuvres/select/?id=32583" class="w" class="oeuvre">Variations acousmatiques</a>
            de <a href="http://www.electrocd.com/fr/bio/dufour_de/discog/" class="bio" class="ind">Denis Dufour</a>
            
          </li>
        
          

          <li>
            
              <span class="date">30 mars</span>, Montr&eacute;al:
            

            
        
            
    
            <a href="http://www.electrocd.com/fr/oeuvres/select/?id=32135" class="w" class="oeuvre">[cr&eacute;ation, saxophones]</a>
            de <a href="http://www.electrocd.com/fr/bio/azguime_mi/discog/" class="bio" class="ind">Miguel Azguime</a>
            
          </li>
        
          

          <li>
            
              <span class="date">15 mai</span>, Montr&eacute;al:
            

            
        
            
    
            <a href="http://www.electrocd.com/fr/oeuvres/select/?id=32149" class="w" class="oeuvre">Alexandra</a>
            de <a href="http://www.electrocd.com/fr/bio/settel_za/discog/" class="bio" class="ind">Zack Settel</a> / <a href="http://www.electrocd.com/fr/bio/muckle_ya/discog/" class="bio" class="ind">Yan Muckle</a>
            
          </li>
        
      </ul>
    

    <ul>
      <li>
        <a href="http://www.electrocd.com/fr/oeuvres/par_creation_annee/2011/">Consulter le d&eacute;tail des cr&eacute;ations d’œuvres &agrave; venir
</a>
      </li>
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    <item>
      <title>Review</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=press-4610</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=press-4610</guid>
      <author>web@electrocd.com</author>
      <category>Presse</category>
      <pubDate>2012-02-05T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                  
                  
                    
  
    Par Ken Waxman

    
      <i>in</i> <a class="out" href="http://thewholenote.com/index.php?option=com_content&view=category&layout=blog&id=51&Itemid=49">The WholeNote</a> #17:5 (Canada), 5 f&eacute;vrier 2012
    
  

  

  
    
      
        <h2>Texte</h2>
      
        
          
            
              «This crackling interface concretely outlines the theme statement from the harmonized horns.»
            
          
        
          
            <p>Over in the United Kingdom, the band <span class="ind">Splice</span> consists of two British players — trumpeter <span class="ind">Alex Bonney</span> and drummer <span class="ind">Dave Smith</span> — plus French reedist <span class="ind">Robin Fincker</span> who has lived in London for a dozen years, and Montreal-born <span class="ind">Pierre Alexandre Tremblay</span>. <span class="ind">Tremblay</span>, who plays bass guitar and electronics, has taught at England’s University of Huddersfield since 2005 and oversees its electronic music studio. Perhaps that’s why this disc is entitled <span class="t">Lab</span> (Loop Records 1013). It certainly has a more extensive electronic palate than the others. Although slippery and shuddering bass guitar runs are heard infrequently throughout, <span class="ind">Tremblay</span>’s electronics maintain the sometimes opaque methodical pulsations which pervade the disc. A track such as <span class="w">The Wanderer</span> is smooth and bouncy, built on <span class="ind">Fincker</span>’s chromatic clarinet runs, <span class="ind">Bonney</span>’s trumpet obbligatos, a shuffle drum beat and electroacoustic colouring that could be Arabic music played on an accordion. The blurry wave forms which elsewhere quiver alongside, process or complement instrumental textures such as alphorn-like vibration from <span class="ind">Fincker</span>’s tenor saxophone, <span class="ind">Bonney</span>’s brassy or muted asides and drum pops and backbeat, are more upfront on <span class="w">Luna Verde</span>. Stacked horn lines, sliding bass guitar licks and percussion rebounds are accompanied by processed textures that come in-and-out of aural focus. This crackling interface concretely outlines the theme statement from the harmonized horns.</p>
          
        
  
        
      
    
    
    
  


                  
                
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      <title>Pierre Alexandre Tremblay remporte un prix Opus</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9830</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9830</guid>
      <author>web@electrocd.com</author>
      <category>Général</category>
      <pubDate>2012-01-30T00:00:00-06:00</pubDate>
      <description>
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                        <a href="http://www.electrocd.com/fr/cat/imed_11109/" title="Quelques reflets"><img src="http://www.electrocd.com/res/image.php/couv/imed_11109.jpg?width=160" class="catimg" alt="Quelques reflets" title="Pierre Alexandre Tremblay: Quelques reflets" /></a>
                      
                      
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/tremblay_pi/discog/" title="Pierre Alexandre Tremblay"><img src="http://www.electrocd.com/res/image.php/photo/tremblay_pi.6198.jpg?height=220" /></a>
                        
                      
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        <p>Les laur&eacute;ats aux 15e prix Opus ont &eacute;t&eacute; d&eacute;cern&eacute;s hier le <span class="date">29 janvier 2012</span> &agrave; Montr&eacute;al. Le «Disque de l’ann&eacute;e - musiques actuelle, &eacute;lectroacoustique» est <a href="http://www.electrocd.com/fr/cat/imed_11109/" class="cat"  class="t">Quelques reflets</a> de <span class="ind">Pierre Alexandre Tremblay</span>.</p>
      
    
  

  
  
  
  
  
  
  
    
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                <a class="out" href="http://cqm.qc.ca/133/Laureats_An_15,_2010-2011.html">Informations d&eacute;taill&eacute;es</a>
                au site cqm.qc.ca
              </li>
            
          
        
      </ul>
    
  

  
    
      
  
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      <title>Grands espaces et grandes œuvres</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=press-4604</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=press-4604</guid>
      <author>web@electrocd.com</author>
      <category>Presse</category>
      <pubDate>2012-01-24T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
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                        <a href="http://www.electrocd.com/fr/cat/imed_9524/" title="Titakti"><img src="http://www.electrocd.com/res/image.php/couv/imed_9524.jpg?width=160" class="catimg" alt="Titakti" title="Philippe Le Goff: Titakti" /></a>
                      
                      
                      
                    </p>
                  
                  
                  
                    
  
    Par Justine Pomerleau Turcotte

    
      <i>in</i> <a class="out" href="http://www.impactcampus.qc.ca/index.php?etat=section&section=5&article=1628">Impact Campus</a> (Canada), 24 janvier 2012
    
  

  

  
    
      
        <h2>Texte</h2>
      
        
          
            
              «Des images plein la t&ecirc;te…»
            
          
        
          
            <p>Le Mus&eacute;e national des beaux-arts du Qu&eacute;bec accueillait samedi soir la formation Erreur de type 27 et son spectacle <span class="t">Aurores bor&eacute;ales: art inuit et musique contemporaine</span>.</p> <p>Pour le premier volet de l’&eacute;v&egrave;nement musical, le spectateur &eacute;tait invit&eacute; &agrave; parcourir la collection d’art inuit Brousseau, accompagn&eacute; d’une bande sonore &eacute;lectroacoustique de <span class="ind">Philippe Le Goff</span>. Cette derni&egrave;re, qui avait pour but de laisser l’auditeur cr&eacute;er ses propres liens, exposait tour &agrave; tour des bruissement de plumes, des crissements de pas, de l’&eacute;cume se fracassant sur le rivage, le tout entrecoup&eacute; de br&egrave;ves interventions instrumentales (percussions, intervalles dissonants aux cordes) et de bribes de discussions.</p> <p>Des images plein la t&ecirc;te, le public nombreux &eacute;tait fin pr&ecirc;t pour la portion concert, en compagnie de <span class="ind">Marie-H&eacute;l&egrave;ne Breault</span> (fl&ucirc;te), <span class="ind">M&eacute;lanie Bourassa</span> (clarinette), <span class="ind">Catherine Meunier</span> (marimba), <span class="ind">Jean-Luc Bouchard</span> (percussions), <span class="ind">Pamela Reimer</span> (piano), <span class="ind">Beno&icirc;t Cormier</span> (violon), <span class="ind">Michelle Seto</span> (violon), <span class="ind">Mary Kathryn Stevens</span> (alto), <span class="ind">Nicolas Cousineau</span> (violoncelle) et <span class="ind">&Eacute;tienne L&eacute;pine-Lafrance</span> (contrebasse).</p> <p>La premi&egrave;re œuvre, <span class="w">Anerca I</span> de <span class="ind">Milton Barnes</span>, &eacute;tait une d&eacute;monstration sensuelle et raffin&eacute;e des possibilit&eacute;s de la contrebasse en tant qu’instrument soliste, par la force expressive de l’atonalit&eacute; et par les techniques de jeu inusit&eacute;es (par exemple, le jeu dans le haut des cordes, au niveau de la volute).</p> <p>La seconde pi&egrave;ce, <span class="w">Fertility Rites</span> de <span class="ind">Christos Hatzis</span>, synth&eacute;tisait efficacement l’acoustique et de l’&eacute;lectronique, gr&acirc;ce &agrave; une interpr&eacute;tation brillante au marimba additionn&eacute;e d’une bande sonore compos&eacute;e de chants de gorge et de phrases musicales au marimba qui faisaient &eacute;cho &agrave; l’instrument r&eacute;el.</p> <p><span class="w">Cercles du Nord I</span> de <span class="ind">Derek Charke</span>, m&acirc;tin&eacute; de mouvements d’archet circulaire, utilisait le quatuor &agrave; cordes pour d&eacute;crire divers aspects de la vie inuit. En seconde partie, la surabondance des sons tr&egrave;s aigus diminuait l’effet inqui&eacute;tant. La troisi&egrave;me partie de l’œuvre, avec le son granuleux des archets fortement appuy&eacute;s et le rythme effr&eacute;n&eacute;, &eacute;tait le moment fort, avec sa finale puissante, musiciens debout, terminant la premi&egrave;re partie d’un cri.</p> <p>L’entracte fut suivi d’une pi&egrave;ce solo pour la fl&ucirc;te, <span class="w">Icicle</span> de <span class="ind">Robert Aitken</span>: court, efficace, livr&eacute; avec classe.</p> <p><span class="ind">Ariane Nantel</span>, &eacute;tudiante &agrave; l’Universit&eacute; Laval, par sa composition <span class="w">Airniit</span> (command&eacute;e pour l’occasion), jongle &agrave; merveille avec les timbres des instruments qu’elle a &agrave; sa disposition (coup de cœur pour la thunder sheet) pour nous transporter dans un univers peupl&eacute; de d&eacute;mons et d’esprits.</p> <p>La derni&egrave;re œuvre au programme, <span class="w">Vox Balaenae</span> de <span class="ind">George Crumb</span>, &eacute;tait, malgr&eacute; quelques longueurs (le chant dans la fl&ucirc;te, qu’&eacute;voquait-il au juste?), truff&eacute;e de belles trouvailles sonores provoqu&eacute;es par un jeu pianistique dans le ventre de la b&ecirc;te, sur les cordes, pour obtenir des sonorit&eacute;s rappelant le piano pr&eacute;par&eacute; de <span class="ind">John Cage</span>.</p>
          
        
  
        
      
    
    
    
  


                  
                
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      <title>Critique</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=press-4602</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=press-4602</guid>
      <author>web@electrocd.com</author>
      <category>Presse</category>
      <pubDate>2012-01-12T00:00:00-06:00</pubDate>
      <description>
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                        <a href="http://www.electrocd.com/fr/cat/oral_40/" title="Points, lignes avec haut-parleurs"><img src="http://www.electrocd.com/res/image.php/couv/oral_40.jpg?width=160" class="catimg" alt="Points, lignes avec haut-parleurs" title="Quatuor de tourne-disques: Points, lignes avec haut-parleurs" /></a>
                      
                      
                      
                    </p>
                  
                  
                  
                    
  
    Par R&eacute;jean Beaucage

    
      <i>in</i> <a class="out" href="http://www.voir.ca/fiches/cd/martin-tetreault-le-quatuor-de-tourne-disques-points-lignes-avec-haut-parleurs/">Voir</a> (Qu&eacute;bec), 12 janvier 2012
    
  

  

  
    
      
        <h2>Texte</h2>
      
        
          
            
              «Il s’agit d’un aboutissement pour ce type d’exploration»
            
          
        
          
            <p>Le platiniste <span class="ind">Martin T&eacute;treault</span> dirige et compose pour son <span class="ind">Quatuor de tourne-disques</span> depuis 2004, et on a pu le voir &agrave; quelques reprises &agrave; Montr&eacute;al depuis 2007, avec des membres qui varient selon les occasions. Il s’agit d’un aboutissement pour ce type d’exploration (mais, qui sait, le grand orchestre de tourne-disques pourrait bien surgir). &Agrave; cent lieues de la «citation», les deux pieds dans l’abstrait, ces tourne-disques se suffisent &agrave; eux-m&ecirc;mes (pas de disques ici). &Eacute;tonnamment, si on l’&eacute;coute &agrave; faible volume, l’esp&egrave;ce de grisaille bruitiste que produit l’enregistrement peut &ecirc;tre assez reposante, ou ennuyante, c’est pourquoi il est sans doute pr&eacute;f&eacute;rable d’entendre cela en concert, avec assez de volume pour ressentir le cœur du son. (3/5)</p>
          
        
  
        
      
    
    
    
  


                  
                
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      <title>Nouveaux arrivages</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=catalogue-20120107</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=catalogue-20120107</guid>
      <author>web@electrocd.com</author>
      <category>Nouveautés</category>
      <pubDate>2012-01-07T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
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                        <a href="http://www.electrocd.com/fr/cat/ina_g_6030/" title="Beatriz Ferreyra"><img src="http://www.electrocd.com/res/image.php/couv/ina_g_6030.jpg?width=160" class="catimg" alt="Beatriz Ferreyra" title="Beatriz Ferreyra: Beatriz Ferreyra" /></a>
                      
                        
          
                        <a href="http://www.electrocd.com/fr/cat/ina_g_6031/" title="Sons-frissons"><img src="http://www.electrocd.com/res/image.php/couv/ina_g_6031.jpg?width=160" class="catimg" alt="Sons-frissons" title="Michel Redolfi: Sons-frissons" /></a>
                      
                        
          
                        <a href="http://www.electrocd.com/fr/cat/ina_g_6032/" title="Points critiques"><img src="http://www.electrocd.com/res/image.php/couv/ina_g_6032.jpg?width=160" class="catimg" alt="Points critiques" title="Horacio Vaggione: Points critiques" /></a>
                      
                      
                      
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      <p>
        Nous avons ajout&eacute; 3 articles &agrave; notre boutique
        aujourd’hui:
        
      </p>
      
      <ul>
    
    
    <li>
      <a href="http://www.electrocd.com/fr/cat/ina_g_6030/" class="cat" class="t">Beatriz Ferreyra</a>
      par <a href="http://www.electrocd.com/fr/bio/ferreyra_be/discog/" class="bio" class="ind">Beatriz Ferreyra</a>
    </li>
    
    
  

  

  

  

  
    
    
    <li>
      <a href="http://www.electrocd.com/fr/cat/ina_g_6031/" class="cat" class="t">Sons-frissons</a>
      par <a href="http://www.electrocd.com/fr/bio/redolfi_mi/" class="bio" class="ind">Michel Redolfi</a>
    </li>
    
    
  

  

  

  

  
    
    
    <li>
      <a href="http://www.electrocd.com/fr/cat/ina_g_6032/" class="cat" class="t">Points critiques</a>
      par <a href="http://www.electrocd.com/fr/bio/vaggione_ho/" class="bio" class="ind">Horacio Vaggione</a>
    </li>
    
    
      </ul>
      
      <p>
        Nous vous invitons &agrave; les d&eacute;couvrir!
        
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      <title>Nouveaux arrivages</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=catalogue-20120102</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=catalogue-20120102</guid>
      <author>web@electrocd.com</author>
      <category>Nouveautés</category>
      <pubDate>2012-01-02T00:00:00-06:00</pubDate>
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                        <a href="http://www.electrocd.com/fr/cat/em_1014/" title="Chain of Events"><img src="http://www.electrocd.com/res/image.php/couv/em_1014.jpg?width=160" class="catimg" alt="Chain of Events" title="Lars Br&ouml;ndum: Chain of Events" /></a>
                      
                        
          
                        <a href="http://www.electrocd.com/fr/cat/nuun_007/" title="La Tentation de saint Antoine"><img src="http://www.electrocd.com/res/image.php/couv/nuun_007.jpg?width=160" class="catimg" alt="La Tentation de saint Antoine" title="Michel Chion: La Tentation de saint Antoine" /></a>
                      
                        
          
                        <a href="http://www.electrocd.com/fr/cat/rc_90/" title="Revue & corrig&eacute;e #90"><img src="http://www.electrocd.com/res/image.php/couv/rc_90.jpg?width=160" class="catimg" alt="Revue & corrig&eacute;e #90" title="Artistes divers: Revue & corrig&eacute;e #90" /></a>
                      
                      
                      
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      <p>
        Nous avons ajout&eacute; 3 articles &agrave; notre boutique
        aujourd’hui:
        
      </p>
      
      <ul>
    
    
    <li>
      <a href="http://www.electrocd.com/fr/cat/em_1014/" class="cat" class="t">Chain of Events</a>
      par <a href="http://www.electrocd.com/fr/bio/brondum_la/" class="bio" class="ind">Lars Br&ouml;ndum</a>
    </li>
    
    
  

  

  

  

  
    
    
    <li>
      <a href="http://www.electrocd.com/fr/cat/nuun_007/" class="cat" class="t">La Tentation de saint Antoine</a>
      par <a href="http://www.electrocd.com/fr/bio/chion_mi/discog/" class="bio" class="ind">Michel Chion</a>
    </li>
    
    
  

  

  

  

  
    
    
    <li>
      <a href="http://www.electrocd.com/fr/cat/rc_90/" class="cat" class="t">Revue & corrig&eacute;e #90</a>
      par Artistes divers
    </li>
    
    
      </ul>
      
      <p>
        Nous vous invitons &agrave; les d&eacute;couvrir!
        
      </p>
    
  

  
    
    

    
  


                  
                
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      <title>22 déc au 18 jan: Rétrospective empreintes DIGITALes 2011</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9829</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9829</guid>
      <author>web@electrocd.com</author>
      <category>electro:thèque</category>
      <pubDate>2011-12-22T00:00:00-06:00</pubDate>
      <description>
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        <p>L’appli <b>electro:th&egrave;que</b> pr&eacute;sente une r&eacute;trospective des huit disques empreintes DIGITALes lanc&eacute;s en 2011, une pi&egrave;ce par disque. <b>electro:th&egrave;que</b> diffuse de l’&eacute;lectroacoustique sur demande vers votre t&eacute;l&eacute;phone mobile, votre tablette, votre portable ou votre ordinateur de bureau. C’est gratuit! Touchez / cliquez et &eacute;coutez!</p>
      
    
  

  
  
  
  
  
  
  
    
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                  Voir le site
                
              
                <a class="out" href="http://electrotheque.net/">electro:th&egrave;que</a>
  
                
                  
                
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      <title>Le Flip et le Flop des collaborateurs musique</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=press-4607</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=press-4607</guid>
      <author>web@electrocd.com</author>
      <category>Presse</category>
      <pubDate>2011-12-19T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                    <p>
                      
                        
          
                        <a href="http://www.electrocd.com/fr/cat/imed_11106/" title="D&eacute;sordres"><img src="http://www.electrocd.com/res/image.php/couv/imed_11106.jpg?width=160" class="catimg" alt="D&eacute;sordres" title="Roxanne Turcotte: D&eacute;sordres" /></a>
                      
                      
                      
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    Par R&eacute;jean Beaucage

    
      <i>in</i> <a class="out" href="http://voir.ca/musique/2011/12/19/les-flip-et-flop-des-collabos-musique/">Voir</a> (Qu&eacute;bec), 19 d&eacute;cembre 2011
    
  

  

  
    
      
        <h2>Texte</h2>
      
        
          
            
              «[Parmi] mes 10 albums de 2011»
            
          
        
          
            <p>[…] Mes 10 albums de 2011 […]</p>
          
        
  
        
      
    
    
    
  


                  
                
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      <title>Nouvel arrivage: Voix par Yves Daoust</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=catalogue-20111208</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=catalogue-20111208</guid>
      <author>web@electrocd.com</author>
      <category>Nouveautés</category>
      <pubDate>2011-12-08T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
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                        <a href="http://www.electrocd.com/fr/cat/imed_11113/" title="Voix"><img src="http://www.electrocd.com/res/image.php/couv/imed_11113.jpg?width=160" class="catimg" alt="Voix" title="Yves Daoust: Voix" /></a>
                      
                      
                      
                    </p>
                  
                  
                  
                    
  
    
    
  

  
    <p>
      Nous vous invitons &agrave; d&eacute;couvrir
      
      
      <a href="http://www.electrocd.com/fr/cat/imed_11113/" class="cat" class="t">Voix</a>
      par <a href="http://www.electrocd.com/fr/bio/daoust_yv/discog/" class="bio" class="ind">Yves Daoust</a>,
      
      le plus r&eacute;cent article ajout&eacute; &agrave; notre boutique.
      
    </p>
  

  

  
    
    

    
      
        
  
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Voix</a>
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      <title>Nouvel arrivage: Denis Smalley par Évelyne Gayou, éd.</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=catalogue-20111206</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=catalogue-20111206</guid>
      <author>web@electrocd.com</author>
      <category>Nouveautés</category>
      <pubDate>2011-12-06T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                    <p>
                      
                        
          
                        <a href="http://www.electrocd.com/fr/cat/ina_pp16/" title="Denis Smalley"><img src="http://www.electrocd.com/res/image.php/couv/ina_pp16.jpg?width=160" class="catimg" alt="Denis Smalley" title="&Eacute;velyne Gayou, &eacute;d.: Denis Smalley" /></a>
                      
                      
                      
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    <p>
      Nous vous invitons &agrave; d&eacute;couvrir
      
      
      <a href="http://www.electrocd.com/fr/cat/ina_pp16/" class="cat" class="t">Denis Smalley</a>
      par <a href="http://www.electrocd.com/fr/bio/gayou_ev/" class="bio" class="ind">&Eacute;velyne Gayou</a>, &eacute;d.,
      
      le plus r&eacute;cent article ajout&eacute; &agrave; notre boutique.
      
    </p>
  

  

  
    
    

    
      
    
  


                  
                
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      <title>15 déc: Vidéomusique de Dhomont / Wickmann à La Villette, Paris</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9826</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9826</guid>
      <author>web@electrocd.com</author>
      <category>En concert</category>
      <pubDate>2011-12-04T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                    <p>
                      
                      
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/dhomont_fr/discog/" title="Francis Dhomont"><img src="http://www.electrocd.com/res/image.php/photo/dhomont_fr.14.jpg?width=160" /></a>
                        
                      
                        
                      
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        <p>Dans le cadre de l’exposition <span class="t">L’œil sur les rues</span> la soir&eacute;e th&eacute;matique <span class="t">Animations</span> du <span class="date">15 d&eacute;cembre 2011</span> pr&eacute;sente plusieurs vid&eacute;os dont la vid&eacute;omusique <span class="w">Passages</span> de <span class="ind">Francis Dhomont</span> / <span class="ind">In&eacute;s Wickmann</span>.</p>
      
    
  

  
  
  
  
  
  
  
    
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              <li class="lien">
                <a class="out" href="www.villette.com/agenda/L-oeil-sur-les-rues-2011.htm">Informations d&eacute;taill&eacute;es</a>
                au site villette.com
              </li>
            
          
        
          
  
          
            
          
        
          
  
          
            
          
        
  
        
          
  
          
            
          
        
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Francis Dhomont</a>
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      <title>Recensioner</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=press-4584</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=press-4584</guid>
      <author>web@electrocd.com</author>
      <category>Presse</category>
      <pubDate>2011-12-01T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                  
                  
                    
  
    Par Johan Redin

    
      <i>in</i> <a class="out" href="http://www.soundofmusic.nu/recension/splicelab">Sound of Music</a> (Su&egrave;de), 1 d&eacute;cembre 2011
    
  

  

  
    
      
        <h2>Texte</h2>
      
        
          
        
          
            <p>Kvartetten <span class="ind">Splice</span> best&aring;r av <span class="ind">Alex Bonney</span> (trumpet och elektronik), <span class="ind">Robin Fincker</span> (tenorsax och klarinett), <span class="ind">Dave Smith</span> (trummor) och den till Huddersfield inflyttade kanadensaren <span class="ind">Pierre Alexandre Tremblay</span> (elbas och elektronik). Debuten Lab &auml;r &auml;nnu en musik-i-gr&auml;nslandet-skiva, enligt egen utsago en amalgamering av nutida jazz, fri improvisation, ambient, samt ett p&aring;st&aring;tt inslag av ”loud and soft noise”. Det som &auml;r sv&aring;rt med just denna form av kringstr&ouml;vande &auml;r att orientera sig utan att egentligen stanna inom n&aring;gon av genrerna. Splice lyckas delvis med detta, det vill s&auml;ga att fruktbart utnyttja de musikaliska spr&aring;ken och g&ouml;ra det till n&aring;got allm&auml;nt. Men kanske blir det d&aring; ocks&aring; just n&aring;got allm&auml;nt. De tv&aring; f&ouml;rsta sp&aring;ren <span class="w">Caffeinated Drinks</span> och <span class="w">Cort&egrave;ge</span> &auml;r riktigt bra. Senare blir samarbetet mellan elbasen och trummorna tyngre, rockigare. Det g&aring;r mer mot ett slags friformsrock som k&auml;nns rutinm&auml;ssig snarare &auml;n levande och &ouml;verraskande. De tv&aring; sista sp&aring;ren hj&auml;lper dock upp intrycket. H&auml;r f&aring;r bl&aring;set en f&ouml;rbeh&aring;llen plats, en sk&ouml;n sordintrumpet i <span class="w">Ballade Fortuite</span> och en bubblande sax i skivan b&auml;sta sp&aring;r: <span class="w">Luna Verde</span>.</p>
          
        
  
        
          
        
      
    
    
    
  


                  
                
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      <title>Review</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=press-4580</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=press-4580</guid>
      <author>web@electrocd.com</author>
      <category>Presse</category>
      <pubDate>2011-11-26T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                  
                  
                    
  
    Par Ed Pinsent

    
      <i>in</i> <a class="out" href="http://www.thesoundprojector.com/2011/11/26/luna-verde/">The Sound Projector</a> (RU), 26 novembre 2011
    
  

  

  
    
      
        <h2>Texte</h2>
      
        
          
            
              «There is some very original noise-making going down here, and the combo work exceptionally well together, almost like a looser version of, say, <span class="ind">Chris Burn’s Ensemble</span> from the 1990s. Good work, one to investigate.»
            
          
        
          
            <p><span class="ind">Splice</span> are a four-piece of improvising players featuring the London trumpeter <span class="ind">Alex Bonney</span>, the French-born sax player <span class="ind">Robin Fincker</span>, the electro-acoustic composer <span class="ind">Pierre Alexandre Tremblay</span> from Canada, plus the drummer <span class="ind">Dave Smith</span>. The common ground they share is Huddersfield University, where this was recorded, and the Loop Collective of which they are a part. On <span class="t">Lab</span> (Loop Records Loop 1013), they concoct some fascinating episodes of rich and full music that tends to refuse easy categorisation; despite the mix of traditional instruments with live electronics, I’m pleased to see they can’t be labelled as “EAI” very easily. The opener <span class="w">Caffeinated Drinks</span> is slow, droney, almost trance-like in the way it pulls you towards the calm centre of its strange resonating mixed chord, but then its follow-up <span class="w">Cortege</span> allows the bass guitar (<span class="ind">Tremblay</span>) and drummer to cook up a slow rhythm that’s not too far apart from stoner rock, something that sounds distinctly odd when mixed with the melancholic romantic toplines of the brass section. Some of the following pieces are just about identifiable as “jazz”, albeit a very skeletal and elliptical and highly stylised form of post-everything bebop, and on other occasions the very full sound of the wind instruments makes for a slightly cloying effect; but these are captious remarks. There is some very original noise-making going down here, and the combo work exceptionally well together, almost like a looser version of, say, <span class="ind">Chris Burn’s Ensemble</span> from the 1990s. Good work, one to investigate.</p>
          
        
  
        
      
    
    
    
  


                  
                
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      <title>29 jan: Cinq disques récents en nomination aux prix Opus</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9825</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9825</guid>
      <author>web@electrocd.com</author>
      <category>Général</category>
      <pubDate>2011-11-22T00:00:00-06:00</pubDate>
      <description>
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                        <a href="http://www.electrocd.com/fr/cat/imed_11108/" title="Automacit&eacute;"><img src="http://www.electrocd.com/res/image.php/couv/imed_11108.jpg?width=160" class="catimg" alt="Automacit&eacute;" title="Christian Bouchard: Automacit&eacute;" /></a>
                      
                        
          
                        <a href="http://www.electrocd.com/fr/cat/ora_15115/" title="De type inconnu"><img src="http://www.electrocd.com/res/image.php/couv/ora_15115.jpg?width=160" class="catimg" alt="De type inconnu" title="De type inconnu: De type inconnu" /></a>
                      
                        
          
                        <a href="http://www.electrocd.com/fr/cat/imed_11106/" title="D&eacute;sordres"><img src="http://www.electrocd.com/res/image.php/couv/imed_11106.jpg?width=160" class="catimg" alt="D&eacute;sordres" title="Roxanne Turcotte: D&eacute;sordres" /></a>
                      
                        
          
                        <a href="http://www.electrocd.com/fr/cat/ora_15107/" title="&Eacute;clats"><img src="http://www.electrocd.com/res/image.php/couv/ora_15107.jpg?width=160" class="catimg" alt="&Eacute;clats" title="[iks]: &Eacute;clats" /></a>
                      
                        
          
                        <a href="http://www.electrocd.com/fr/cat/imed_11109/" title="Quelques reflets"><img src="http://www.electrocd.com/res/image.php/couv/imed_11109.jpg?width=160" class="catimg" alt="Quelques reflets" title="Pierre Alexandre Tremblay: Quelques reflets" /></a>
                      
                      
                      
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        <p>Les disques finalistes pour le prix Opus 2010-11 (Disque de l’ann&eacute;e — musiques actuelle, &eacute;lectroacoustique) sont:</p> <ul> <li><span class="t">Automacit&eacute;</span> de <span class="ind">Christian Bouchard</span></li> <li><span class="t">De type inconnu</span> du duo du m&ecirc;me nom (<span class="ind">Sylvain Pohu</span>, <span class="ind">Pierre Alexandre Tremblay</span>)</li> <li><span class="t">D&eacute;sordres</span> de <span class="ind">Roxanne Turcotte</span></li> <li><span class="t">&Eacute;clats</span> du groupe <span class="ind">[iks]</span></li> <li><span class="t">Quelques reflets</span> de <span class="ind">Pierre Alexandre Tremblay</span></li></ul> <p>Le 15e gala aura lieu le <span class="date">29 janvier 2012</span> &agrave; la Salle Bourgie du Pavillon Claire et Marc Bourgie du Mus&eacute;e des beaux-arts de Montr&eacute;al.</p>
      
    
  

  
  
  
  
  
  
  
    
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      <title>A satisfying boil: Melding flowing themes with electronic back bones</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=press-4578</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=press-4578</guid>
      <author>web@electrocd.com</author>
      <category>Presse</category>
      <pubDate>2011-11-22T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                  
                  
                    
  
    Par Tobias Fischer

    
      <i>in</i> <a class="out" href="http://www.tokafi.com/news/splice-lab/">Tokafi</a> (Allemagne), 22 novembre 2011
    
  

  

  
    
      
        <h2>Texte</h2>
      
        
          
            
              «… there’s enough on the album that bodes very well for <span class="ind">Splice</span> in the future…»
            
          
        
          
            <p>As much as I would like to make some pretentious pronouncements — like how jazz that includes electro-acoustic elements only highlights the deficiencies of both areas, or how the last thing in the world we need to have right now is another horrible electro/jazz band — I can’t in good conscious do so (or at least without looking like a total prick). It certainly wouldn’t be fair to the fine musicians of <span class="ind">Splice</span>, whose own experiments in the fusion of electro acoustic and jazz on their album <span class="t">Lab</span> are too interesting to shrug off into the bin of failed experiments. Maybe it would be more accurate and safe to say that it’s just goddamn hard to do this fusion thing right.</p> <p>Thankfully, one of the things <span class="ind">Splice</span> does do right on Lab is that they don’t try to shoehorn the electronic textures into their pieces. This can be heard to best effect on <span class="w">Caffeinated Drinks</span>, where puffs of an electronically-treated trumpet from <span class="ind">Alex Bonney</span> float over <span class="ind">David Smith</span>‘s skittering drums, and <span class="ind">Robin Finker</span>’s saxophone tremors to eventually coalesce over electronic hum from <span class="ind">Pierre Alexandre Tremblay</span> on bass guitar and electronics. There’s an attention to how these pieces fit and the allowance for sounds to breathe. On <span class="w">D&eacute;bris</span>, low tones, treated drum sounds, and sax/trumpet drones rise and sink like feathers in a light breeze as <span class="ind">Smith</span>‘s drums emerge subtly, sparingly keeping time in a mass of swirling electric eddies. Beautiful.</p> <p>Of course, it can’t all be slow motion electronic drift. On <span class="w">Cort&egrave;ge</span>, <span class="ind">Finker</span>, sounding like a less antiseptic <span class="ind">Evan Parker</span>, pulls out atonal serpentine lines on his tenor before switching gears to a haunting melody that floats over bass-heavy, nourish dirge. Or the rock and sci-fi funk of <span class="w">Matter</span>, that rings of some of <span class="ind">Ken Vandermark</span>’s compositional forays, while still keeping a distinct textural palette and attention to space that’s all their own. However, if anything Lab reminds me of another Chicago group, <span class="ind">Grey Ghost</span>, who also melded flowing themes with often electronic back bones.</p> <p>Of course, it doesn’t always hold together, as on <span class="w">Sillon ferm&eacute;</span>, where <span class="ind">Tremblay</span>’s electronically-filtered bass seems aimless as the rest of the band tries periodically to burst into flame, but achieving nothing more than a sputter. Not to mention <span class="w">Interlude</span> which is just that — an interlude; or the <span class="w">The Mess</span>, that, despite fine playing from <span class="ind">Smith</span>, doesn’t seem to go anywhere at all. Thankfully, these missteps are again countered with good compositions — <span class="w">The Wanderer</span> rides an Arabic tinge into the darkness — a nighttime slither across an endless sea of sand. And <span class="w">Luna Verde</span> hangs on a beautiful drifting melody that emerges from white noise buzz until slowly turning up the heat for a satisfying boil, thanks in large part to the powerful drumming of <span class="ind">Smith</span> and the bass riffing of <span class="ind">Tremblay</span>.</p> <p>While the inclusion of electro acoustic textures in jazz is not new, from <span class="ind">Otomo Yoshihide</span>’s experiments with electro acoustic big band jazz to <span class="ind">Sei Miguel</span>’s more aery electro-jazz fusions, it’s doesn’t appear that <span class="t">Lab</span> partakes in some obvious EAI jazz lineage. And if <span class="t">Lab</span> doesn’t entirely succeed for me, there’s enough on the album that bodes very well for <span class="ind">Splice</span> in the future, and makes any grand pronouncements of what should and should not be done look, if not prickish, then wrong-headed.</p>
          
        
  
        
      
    
    
    
  


                  
                
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      <title>Les lauréats du Sound in Space sont…</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9824</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9824</guid>
      <author>web@electrocd.com</author>
      <category>Général</category>
      <pubDate>2011-11-19T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                    <p>
                      
                      
                      
                        
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/bedard_ma/discog/" title="Martin B&eacute;dard"><img src="http://www.electrocd.com/res/image.php/photo/bedard_ma.6241.jpg?height=220" /></a>
                        
                      
                    </p>
                  
                  
                  
                    
  
    
      
        <p>Les œuvres gagnantes au concours de composition Sound in Space (Boston, MA, &Eacute;U, 2011) sont <span class="w">Anagoge</span> de <span class="ind">Andrew Babcook</span> (premier prix), <span class="w">Champs de fouilles (Excavations)</span> de <span class="ind">Martin B&eacute;dard</span> (deuxi&egrave;me prix) et <span class="w">A glass is not a glass</span> de <span class="ind">Adam Basanta</span> (troisi&egrave;me prix).</p>
      
    
  

  
  
  
  
  
  
  
    
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                  <a class="out" href="http://www.goethe.de/ins/us/bos/kue/aoi/enindex.htm?wt_sc=boston-soundinspace">Sound in Space Festival</a>
                  
                
                
                
                
                <span class="detail">
                  — 

                  The Art of Electroacoustic Music Interpretation: 
                
                  17 au 19 novembre 2011, Boston, Massachusetts, &Eacute;U
                </span>
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Adam Basanta</a>
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      <title>Sont lauréats au Musica Nova 2011…</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9823</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9823</guid>
      <author>web@electrocd.com</author>
      <category>Général</category>
      <pubDate>2011-11-18T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                    <p>
                      
                      
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/young_jo/discog/" title="John Young"><img src="http://www.electrocd.com/res/image.php/photo/young_jo.1.jpg?width=160" /></a>
                        
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/adkins_ma/discog/" title="Mathew Adkins"><img src="http://www.electrocd.com/res/image.php/photo/adkins_ma.5440.jpg?width=160" /></a>
                        
                      
                        
                      
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        <p>Le concours international de musique &eacute;lectroacoustique Musica Nova 2011 (Prague, R&eacute;publique tch&egrave;que) a derni&egrave;rement d&eacute;voil&eacute; ses laur&eacute;ats: <span class="ind">Antonio Scarcia</span>, <span class="ind">Chien-Wen Cheng</span>, <span class="ind">Martin Klus&aacute;k</span>, <span class="ind">Diana Salazar</span>, <span class="ind">Roderik de Man</span>, <span class="ind">Monty Adkins</span>, <span class="ind">John Young</span> et <span class="ind">Alla Zagaykewich</span>.</p>
      
    
  

  
  
  
  
  
  
  
    
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                <a class="out" href="http://musicanova.nipax.cz/">Musica Nova</a>
  
                
                  
                
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John Young</a>
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      <title>17 au 19 nov: Plusieurs Montréalais au Sound in Space à Boston</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9822</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9822</guid>
      <author>web@electrocd.com</author>
      <category>En concert</category>
      <pubDate>2011-11-15T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                    <p>
                      
                      
                      
                        
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/bedard_ma/discog/" title="Martin B&eacute;dard"><img src="http://www.electrocd.com/res/image.php/photo/bedard_ma.6241.jpg?height=220" /></a>
                        
                      
                        
                      
                        
                      
                        
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/brummer_lu/discog/" title="Ludger Br&uuml;mmer"><img src="http://www.electrocd.com/res/image.php/photo/brummer_lu.jpg?width=160" /></a>
                        
                      
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        <p>Le festival <span class="t">Sound in Space</span> aura lieu au Fenway Center de la Northwastern University &agrave; Boston (&Eacute;U) du <span class="date">17 au 19 novembre 2011</span>. Ce festival est aussi un concours de composition qui pr&eacute;sente les six œuvres finalistes — dont quatre de compositeurs montr&eacute;alais: <span class="ind">Adam Basanta</span>, <span class="ind">Martin B&eacute;dard</span>, <span class="ind">Simone D’Ambrosio</span> et <span class="ind">Ana Dall’Ara Majek</span> — lors de deux concerts. Notons aussi au programme du festival deux concerts portraits consacr&eacute;s &agrave; <span class="ind">Daniel Teruggi</span> et <span class="ind">Ludger Br&uuml;mmer</span> et quelques conf&eacute;rences et ateliers.</p>
      
    
  

  
  
  
  
  
  
  
    
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                  <a class="out" href="http://www.goethe.de/ins/us/bos/kue/aoi/enindex.htm?wt_sc=boston-soundinspace">Sound in Space Festival</a>
                  
                
                
                
                
                <span class="detail">
                  — 

                  The Art of Electroacoustic Music Interpretation: 
                
                  17 au 19 novembre 2011, Boston, Massachusetts, &Eacute;U
                </span>
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Adam Basanta</a>
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      <title>25 au 26 nov: Normandeau et Gobeil au festival Imatronic, Allemagne</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9821</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9821</guid>
      <author>web@electrocd.com</author>
      <category>En concert</category>
      <pubDate>2011-11-10T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                    <p>
                      
                      
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/normandeau_ro/discog/" title="Robert Normandeau"><img src="http://www.electrocd.com/res/image.php/photo/normandeau_ro.6298.jpg?height=220" /></a>
                        
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/gobeil_gi/discog/" title="Gilles Gobeil"><img src="http://www.electrocd.com/res/image.php/photo/gobeil_gi.7.jpg?height=220" /></a>
                        
                      
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        <p><span class="ind">Robert Normandeau</span> fera la cr&eacute;ation de sa plus r&eacute;cente œuvre, <span class="w">La part des anges</span>, le <span class="date">26 novembre 2011</span> dans le cadre du festival Imatronic &agrave; Karlsruhe (Allemagne). Au m&ecirc;me festival, la veille, sera pr&eacute;sent&eacute;e la chor&eacute;graphie <span class="t">Effraction de l’oubli</span> de <span class="ind">Camille Mutel</span> pour laquelle <span class="ind">Gilles Gobeil</span> a fait la musique.</p>
      
    
  

  
  
  
  
  
  
  
    
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                  <a class="out" href="http://on1.zkm.de/zkm/stories/storyReader$7801">Imatronic</a>
                  
                
                
                
                
                <span class="detail">
                  — 

                  Festival elektronischer Musik: 
                
                  23 au 27 novembre 2011, Karlsruhe, Allemagne
                </span>
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Robert Normandeau</a>
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      <title>2 au 5 nov: Weinar fête les 85 ans de Dhomont et les 65 ans de Vande Gorne</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9820</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9820</guid>
      <author>web@electrocd.com</author>
      <category>En concert</category>
      <pubDate>2011-10-31T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
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                          <a href="http://www.electrocd.com/fr/bio/vandegorne_an/discog/" title="Annette Vande Gorne"><img src="http://www.electrocd.com/res/image.php/photo/vandegorne_an.5.jpg?width=160" /></a>
                        
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/dhomont_fr/discog/" title="Francis Dhomont"><img src="http://www.electrocd.com/res/image.php/photo/dhomont_fr.14.jpg?width=160" /></a>
                        
                      
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        <p>La 24e &eacute;dition du festival <span class="t">Tage Neuer Musik in Weimar</span> aura lieu &agrave; Weimar (Allemgane) du <span class="date">2 au 5 novembre 2011</span> et soulignera, entre autres, les 65 ans de <span class="ind">Annette Vande Gorne</span> — concert portrait le <span class="date">4 novembre</span> — et les 85 ans de <span class="ind">Francis Dhomont</span> — concert portrait le <span class="date">5 novembre</span>.</p>
      
    
  

  
  
  
  
  
  
  
    
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                  <a class="out" href="http://www.neue-musik-thueringen.de/html/festivals_konzerte.html">24. Tage Neuer Musik in Weimar</a>
                  
                
                
                
                
                <span class="detail">
                  — 

                  Neue Spielarten improvisierter und elektroakustischer Musik: 
                
                  2 au 5 novembre 2011, Weimar, Allemagne
                </span>
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      <title>Concert Review</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=press-4594</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=press-4594</guid>
      <author>web@electrocd.com</author>
      <category>Presse</category>
      <pubDate>2011-10-25T00:00:00-06:00</pubDate>
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                        <a href="http://www.electrocd.com/fr/cat/imed_11111/" title="Sc&egrave;nes"><img src="http://www.electrocd.com/res/image.php/couv/imed_11111.jpg?width=160" class="catimg" alt="Sc&egrave;nes" title="Pete Stollery: Sc&egrave;nes" /></a>
                      
                        
          
                        <a href="http://www.electrocd.com/fr/cat/imed_11112/" title="Contrechamps"><img src="http://www.electrocd.com/res/image.php/couv/imed_11112.jpg?width=160" class="catimg" alt="Contrechamps" title="Adrian Moore: Contrechamps" /></a>
                      
                      
                      
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    Par Alan Cooper

    
  

  

  
    
      
        <h2>Texte</h2>
      
        
          
            
              «… I am constantly amazed by the sheer variety of technical, musical, artistic and imaginative approaches to the genre.»
            
          
        
          
            <p>The Atrium is a fantastic venue for certain kinds of music and electroacoustic performance definitely gains something extra special from the sheer vastness of its acoustic. Surprisingly, this entailed little or no loss of clarity or precision in the diffusion of the sounds.</p> <p>Tuesday night’s performance for University Music in association with Sound was more than just a concert however. It was the occasion of a launch of a new CD of music by <span class="ind">Pete Stollery</span> and a surround sound DVD-Audio by <span class="ind">Adrian Moore</span>. These two releases are published by the Montr&eacute;al-based label empreintes DIGITALes.</p> <p>Electroacoustic music is a relatively new artistic endeavour and in listening to the works of new composers in the genre I am constantly amazed by the sheer variety of technical, musical, artistic and imaginative approaches to the genre. In certain respects the three pieces we heard by <span class="ind">Adrian Moore</span> and the two pieces by <span class="ind">Pete Stollery</span> approach the medium from radically different directions.</p> <p><span class="ind">Adrian Moore</span>’s compositions started with piano, violin or horns as sources and then moulded and transformed them into a whole mind-expanding new world of sound. His three pieces taken together were on a symphonic scale and the sounds of piano, violin and horns blossomed into a magnificent musical sound garden. Above all, his pieces were richly musical in their inspiration.</p> <p><span class="ind">Pete Stollery</span> two pieces come at the enterprise from a quite different direction. In his first piece <span class="w">Still Voices</span> especially, he is acting partly as a preserver and curator of sounds in North East Scotland particularly those that are about to disappear because for instance their source is to be destroyed. In his second piece, <span class="w">sc&egrave;nes, rendez-vous</span> which has become a kind of classic of its type, his sources are recorded direct from points in the streets of Paris along which the cin&eacute;aste <span class="ind">Claude Lelouch</span> drove his sports car during the making of his film short <span class="t">C’&eacute;tait un rendez-vous</span> (definitely worth a look on YouTube if you have not seen it).</p> <p>Thus if <span class="ind">Adrian Moore</span> takes a musical source and expands it out into a world of sound, <span class="ind">Stollery</span> starts with sounds throughout the world and moulds them into music. In both his pieces there are moments of recorded sound which are specific to a certain place or event but his work is not merely a series of these at random, the artistry comes first from the way in which these are arranged in order and then when these basic sound sequences are magically transmuted into musical creations that live in the realm of pure imagination.</p> <p>I particularly love the sequence where the sounds of a French ambulance siren becomes like a huge organ cord or traffic passing over a grille on the road becomes almost like pizzicato strings.</p> <p>I have heard <span class="w">sc&egrave;nes, rendez-vous</span> in several venues, the Mitchell Hall, the Belmont Cinema, the Left Bank in Tarland and now in the Atrium. It has always been subtly different. This is partly because of the radically different venues, but also because Pete diffuses the sounds differently each time which gives electroacoustic performance the same immediacy and individuality as any live performance.</p>
          
        
  
        
      
    
    
    
  


                  
                
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      <title>Nouveaux arrivages</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=catalogue-20111024</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=catalogue-20111024</guid>
      <author>web@electrocd.com</author>
      <category>Nouveautés</category>
      <pubDate>2011-10-24T00:00:00-06:00</pubDate>
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                        <a href="http://www.electrocd.com/fr/cat/imed_11112/" title="Contrechamps"><img src="http://www.electrocd.com/res/image.php/couv/imed_11112.jpg?width=160" class="catimg" alt="Contrechamps" title="Adrian Moore: Contrechamps" /></a>
                      
                        
          
                        <a href="http://www.electrocd.com/fr/cat/imed_11111/" title="Sc&egrave;nes"><img src="http://www.electrocd.com/res/image.php/couv/imed_11111.jpg?width=160" class="catimg" alt="Sc&egrave;nes" title="Pete Stollery: Sc&egrave;nes" /></a>
                      
                      
                      
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      <p>
        Nous avons ajout&eacute; 2 articles &agrave; notre boutique
        aujourd’hui:
        
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      <a href="http://www.electrocd.com/fr/cat/imed_11112/" class="cat" class="t">Contrechamps</a>
      par <a href="http://www.electrocd.com/fr/bio/moore_ad/discog/" class="bio" class="ind">Adrian Moore</a>
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      <a href="http://www.electrocd.com/fr/cat/imed_11111/" class="cat" class="t">Sc&egrave;nes</a>
      par <a href="http://www.electrocd.com/fr/bio/stollery_pe/discog/" class="bio" class="ind">Pete Stollery</a>
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      <p>
        Nous vous invitons &agrave; les d&eacute;couvrir!
        
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      <title>Nouvel arrivage: Vertiges de l’image par Les Phonogénistes, António de Sousa Dias</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=catalogue-20111023</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=catalogue-20111023</guid>
      <author>web@electrocd.com</author>
      <category>Nouveautés</category>
      <pubDate>2011-10-23T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                    <p>
                      
                        
          
                        <a href="http://www.electrocd.com/fr/cat/pngnts_2011/" title="Vertiges de l’image"><img src="http://www.electrocd.com/res/image.php/couv/pngnts_2011.jpg?width=160" class="catimg" alt="Vertiges de l’image" title="Les Phonog&eacute;nistes, Ant&oacute;nio de Sousa Dias: Vertiges de l’image" /></a>
                      
                      
                      
                    </p>
                  
                  
                  
                    
  
    
    
  

  
    <p>
      Nous vous invitons &agrave; d&eacute;couvrir
      
      
      <a href="http://www.electrocd.com/fr/cat/pngnts_2011/" class="cat" class="t">Vertiges de l’image</a>
      par <a href="http://www.electrocd.com/fr/bio/phonogenistes_le/discog/" class="bio" class="ind">Les Phonog&eacute;nistes</a>, <a href="http://www.electrocd.com/fr/bio/sousadias_an/" class="bio" class="ind">Ant&oacute;nio de Sousa Dias</a>,
      
      le plus r&eacute;cent article ajout&eacute; &agrave; notre boutique.
      
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      <title>24 au 25 oct: Double lancement: Moore et Stollery à Sheffield et Aberdeen</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9819</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9819</guid>
      <author>web@electrocd.com</author>
      <category>En concert</category>
      <pubDate>2011-10-23T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                    <p>
                      
                      
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/moore_ad/discog/" title="Adrian Moore"><img src="http://www.electrocd.com/res/image.php/photo/moore_ad.6253.jpg?height=220" /></a>
                        
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/stollery_pe/discog/" title="Pete Stollery"><img src="http://www.electrocd.com/res/image.php/photo/stollery_pe.6209.jpg?width=160" /></a>
                        
                      
                    </p>
                  
                  
                  
                    
  
    
      
        <p><span class="ind">Adrian Moore</span> et <span class="ind">Pete Stollery</span> lanceront leur nouveau disque lors d’une pr&eacute;sentation / cours de ma&icirc;tre &agrave; The University of Sheffield (Angleterre, RU) le <span class="date">24 octobre 2011</span> et le lendemain, <span class="date">25 octobre</span>, lors du concert <span class="t">Contrechamps & Sc&egrave;nes</span> dans la cadre du festival Sound &agrave; Aberdeen (&Eacute;cosse, RU).</p>
      
    
  

  
  
  
  
  
  
  
    
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              <li class="lien">
                <a class="out" href="http://adrian-moore.staff.shef.ac.uk/dvds/launch.html">Informations d&eacute;taill&eacute;es</a>
                au site adrian-moore.staff.shef.ac.uk
              </li>
            
          
        
          
            
              
            
              <li class="lien">
                

                
                  
    
                  
                    Voir le site de l’&eacute;v&eacute;nement
                  
                
                  <a class="out" href="http://sound-scotland.co.uk/sound_events/contrechamps-scenes-with-adrian-moore-and-pete-stollery/">Sound 2011 at IMS: Contrechamps & Sc&egrave;nes</a>
                  
                
                
                
                
                <span class="detail">
                  — 

                  North East Scotland’s Festival of New Music: Adrian Moore, Pete Stollery: 
                
                  25 octobre 2011, Aberdeen, &Eacute;cosse, RU
                </span>
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  <a href="http://www.electrocd.com/fr/radio/?poste=cat_imed_11111" class="radio"><img src="http://www.electrocd.com/res/element/btn-play.png" />
Sc&egrave;nes</a>
</li>



    
      

<li class="radio" id="radio-cat_imed_11112">
  <a href="http://www.electrocd.com/fr/radio/?poste=cat_imed_11112" class="radio"><img src="http://www.electrocd.com/res/element/btn-play.png" />
Contrechamps</a>
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      <title>20 au 23 oct: Justel, Mary et Kim à L’espace du son, Bruxelles</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9818</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9818</guid>
      <author>web@electrocd.com</author>
      <category>En concert</category>
      <pubDate>2011-10-18T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                    <p>
                      
                      
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/justel_el/discog/" title="Elsa Justel"><img src="http://www.electrocd.com/res/image.php/photo/justel_el.2.jpg?width=160" /></a>
                        
                      
                        
                      
                        
                      
                    </p>
                  
                  
                  
                    
  
    
      
        <p>Le 18e festival acousmatique international L’espace du son aura lieu du <span class="date">20 au 23 octobre 2011</span> au Th&eacute;&acirc;tre Marni &agrave; Bruxelles (Belgique). Sont &agrave; l’honneur: <span class="ind">Elsa Justel</span>, <span class="ind">Mario Marcelo Mary</span> et <span class="ind">Suk-Jun Kim</span>.</p>
      
    
  

  
  
  
  
  
  
  
    
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              <li class="lien">
                

                
                  
    
                  
                    Voir le site de l’&eacute;v&eacute;nement
                  
                
                  <a class="out" href="http://www.musiques-recherches.be/index.php?option=com_flexicontent&view=items&cid=2%3Aagenda&id=42%3A18e-festival-acousmatique-international&Itemid=5&lang=fr">L’espace du son 2011</a>
                  
                
                
                
                
                <span class="detail">
                  — 

                  18e Festival acousmatique international: Elsa Justel, Mario Mary, Suk-Jun Kim…: 
                
                  20 au 23 octobre 2011, Bruxelles, Belgique
                </span>
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  <a href="http://www.electrocd.com/fr/radio/?poste=bio_justel_el" class="radio"><img src="http://www.electrocd.com/res/element/btn-play.png" />
Elsa Justel</a>
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      <title>14 au 22 oct: Ai-maako 2011: 8 jours d’électroacoustique au Chili</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9817</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9817</guid>
      <author>web@electrocd.com</author>
      <category>En concert</category>
      <pubDate>2011-10-15T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                    <p>
                      
                      
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/dhomont_fr/discog/" title="Francis Dhomont"><img src="http://www.electrocd.com/res/image.php/photo/dhomont_fr.14.jpg?width=160" /></a>
                        
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/gobeil_gi/discog/" title="Gilles Gobeil"><img src="http://www.electrocd.com/res/image.php/photo/gobeil_gi.7.jpg?height=220" /></a>
                        
                      
                        
                      
                        
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/bedard_ma/discog/" title="Martin B&eacute;dard"><img src="http://www.electrocd.com/res/image.php/photo/bedard_ma.6241.jpg?height=220" /></a>
                        
                      
                    </p>
                  
                  
                  
                    
  
    
      
        <p>Ai-maako, le 11e Festival Internacional de M&uacute;sica Electroac&uacute;stica de Chile, aura lieu du <span class="date">14 au 22 octobre 2011</span> &agrave; Santiago et &agrave; Valdivia (Chili). On note, en vrac, des œuvres des compositeurs <span class="ind">Francis Dhomont</span>, <span class="ind">Federico Schumacher Ratti</span>, <span class="ind">Gilles Gobeil</span>, <span class="ind">Jo&atilde;o Pedro Oliveira</span>, <span class="ind">Martin B&eacute;dard</span> et de plusieurs autres aux concerts de ce festival sur deux villes.</p>
      
    
  

  
  
  
  
  
  
  
    
      <ul class="lien-list">
        
          
            
              
            
              <li class="lien">
                
                  <a class="out" href="http://www.aimaako.cl/web_2011/programacion-conciertos/">Informations d&eacute;taill&eacute;es</a>
                

                
                  
                    au site de l’&eacute;v&eacute;nement
                  
    
                  
                
                  <a class="out" href="http://www.aimaako.cl/web_2011/">Ai-maako 2011 — Santiago, Valdivia</a>
                  
                
                
                
                
                <span class="detail">
                  — 

                  11 Festival Internacional de M&uacute;sica Electroac&uacute;stica de Chile: 
                
                  14 au 22 octobre 2011, Chili
                </span>
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<li class="radio" id="radio-bio_dhomont_fr">
  <a href="http://www.electrocd.com/fr/radio/?poste=bio_dhomont_fr" class="radio"><img src="http://www.electrocd.com/res/element/btn-play.png" />
Francis Dhomont</a>
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      <title>24 au 27 oct: Concert et conférences de Stéphane Roy en Allemagne</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9816</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9816</guid>
      <author>web@electrocd.com</author>
      <category>En concert</category>
      <pubDate>2011-10-14T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                    <p>
                      
                      
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/roy_st/discog/" title="St&eacute;phane Roy"><img src="http://www.electrocd.com/res/image.php/photo/roy_st.jpg?width=160" /></a>
                        
                      
                    </p>
                  
                  
                  
                    
  
    
      
        <p><span class="ind">St&eacute;phane Roy</span> sera &agrave; Br&ecirc;me et Oldenbourg (Allemagne) du <span class="date">24 au 27 octobre 2011</span> pour y pr&eacute;senter un concert (pi&egrave;ces de <span class="ind">Martin B&eacute;dard</span>, <span class="ind">Georges Forget</span> et <span class="ind">St&eacute;phane Roy</span>) et deux conf&eacute;rences sur l’analyse des musiques &eacute;lectroacoustiques. Le premier arr&ecirc;t a lieu dans le cadre des journ&eacute;es <span class="t">Scanned: Elektroakustische Musik im Fokus</span> au Haus der Wissenschaft (conf&eacute;rence le <span class="date">24 avril</span>) et au Oldenburger Kunstverein (concert le <span class="date">25 avril</span>). La seconde conf&eacute;rence sera donn&eacute;e le <span class="date">27 avril</span> dans le d&eacute;partement de musique de la Carl von Ossietzk Universit&auml;t Oldenburg.</p>
      
    
  

  
  
  
  
  
  
  
    
      <ul class="lien-list">
        
          
            
              
            
              <li class="lien">
                

                
                  
    
                  
                    Voir le site de l’&eacute;v&eacute;nement
                  
                
                  <a class="out" href="http://www.klangpol.de/index.php?article_id=8">Scanned — Elektroakustische Musik im Fokus</a>
                  
                
                
                
                
                <span class="detail">
                  — 

                  St&eacute;phane Roy: 
                
                  25 octobre 2011, Oldenbourg, Allemagne
                </span>
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  <a href="http://www.electrocd.com/fr/radio/?poste=bio_roy_st" class="radio"><img src="http://www.electrocd.com/res/element/btn-play.png" />
St&eacute;phane Roy</a>
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      <title>28 au 30 oct: 4 jours d’électroacoustique au MANTIS à Manchester, RU</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9815</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9815</guid>
      <author>web@electrocd.com</author>
      <category>En concert</category>
      <pubDate>2011-10-13T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                    <p>
                      
                      
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/lewis_an/discog/" title="Andrew Lewis"><img src="http://www.electrocd.com/res/image.php/photo/lewis_an.6294.jpg?height=220" /></a>
                        
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/moore_ad/discog/" title="Adrian Moore"><img src="http://www.electrocd.com/res/image.php/photo/moore_ad.6253.jpg?height=220" /></a>
                        
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/tutschku_ha/discog/" title="Hans Tutschku"><img src="http://www.electrocd.com/res/image.php/photo/tutschku_ha.5703.jpg?width=160" /></a>
                        
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/berezan_da/discog/" title="David Berezan"><img src="http://www.electrocd.com/res/image.php/photo/berezan_8189.jpg?height=220" /></a>
                        
                      
                        
                      
                    </p>
                  
                  
                  
                    
  
    
      
        <p>Des œuvres acousmatiques de <span class="ind">Andrew Lewis</span> (dont une cr&eacute;ation), <span class="ind">Adrian Moore</span> et <span class="ind">David Berezan</span> (dont deux premi&egrave;res britanniques) et des pi&egrave;ces mixtes de <span class="ind">Hans Tutschku</span> et <span class="ind">Chikashi Miyama</span>, parmi plusieurs autres, seront pr&eacute;sent&eacute;es lors du <acronym lang="en" title="Manchester Theatre in Sound">MANTIS</acronym> Festival Fall 2011 qui aura lieu du <span class="date">28 au 30 octobre 2011</span> au Cosmo Rodewald Concert Hall de la University of Manchester (RU).</p>
      
    
  

  
  
  
  
  
  
  
    
      <ul class="lien-list">
        
          
            
              
            
              <li class="lien">
                

                
                  
    
                  
                    Voir le site de l’&eacute;v&eacute;nement
                  
                
                  <a class="out" href="http://www.mantisfestival.com/"><acronym lang="en" title="Manchester Theatre in Sound">MANTIS</acronym> Fall 2011</a>
                  
                
                
                
                
                <span class="detail">
                  — 

                  4 concerts: Lewis, Moore, Tutschku, Eagle, Miyama, Martin, Berezan, Psappha…: 
                
                  28 au 30 octobre 2011, Manchester, Angleterre, RU
                </span>
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Andrew Lewis</a>
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      <title>9 au 16 oct: Smalley, Harrison et Dhomont au EmuFest à Rome</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9814</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9814</guid>
      <author>web@electrocd.com</author>
      <category>En concert</category>
      <pubDate>2011-10-02T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                    <p>
                      
                      
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/smalley_de/discog/" title="Denis Smalley"><img src="http://www.electrocd.com/res/image.php/photo/smalley_de.3.jpg?width=160" /></a>
                        
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/harrison_jo/discog/" title="Jonty Harrison"><img src="http://www.electrocd.com/res/image.php/photo/harrison_jo.4.jpg?height=220" /></a>
                        
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/dhomont_fr/discog/" title="Francis Dhomont"><img src="http://www.electrocd.com/res/image.php/photo/dhomont_fr.14.jpg?width=160" /></a>
                        
                      
                    </p>
                  
                  
                  
                    
  
    
      
        <p>Le 4e Festival Internazionale di Musica Elettroacustica del Conservatorio Santa Cecilia (EmuFest) aura lieu du <span class="date">9 au 16 octobre 2011</span> &agrave; Rome (Italie). Soulignons qu’un des ses quinze concerts est consacr&eacute; au Royaume-Uni et pr&eacute;sente des pi&egrave;ces de <span class="ind">Denis Smalley</span> et <span class="ind">Jonty Harrison</span>, entre autres. Sont aussi pr&eacute;sent&eacute;es au cours de ce festival des pi&egrave;ces de <span class="ind">Francis Dhomont</span>.</p>
      
    
  

  
  
  
  
  
  
  
    
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              <li class="lien">
                

                
                  
    
                  
                    Voir le site de l’&eacute;v&eacute;nement
                  
                
                  <a class="out" href="http://www.emufest.org/">EmuFest 2011</a>
                  
                
                
                
                
                <span class="detail">
                  — 

                  4e Festival Internazionale di Musica Elettroacustica del Conservatorio Santa Cecilia: 
                
                  9 au 16 octobre 2011, Rome, Italie
                </span>
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Denis Smalley</a>
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      <title>Review</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=press-4553</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=press-4553</guid>
      <author>web@electrocd.com</author>
      <category>Presse</category>
      <pubDate>2011-09-28T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                  
                  
                    
  
    Par Ian Mann

    
      <i>in</i> <a class="out" href="http://www.thejazzmann.com/reviews/review/splice-lab/">The Jazz Mann</a> (RU), 28 septembre 2011
    
  

  

  
    
      
        <h2>Texte</h2>
      
        
          
            
              «It’s a record that sits outside the mainstream but despite the occasional, almost inevitable, longueurs there is still much here to please the adventurous listener.»
            
          
        
          
            <p><span class="ind">Splice</span> is an electro-improvising quartet led by <span class="ind">Pierre Alexandre Tremblay</span>, the head of the Composition and Improvisation course at the University of Huddersfield. <span class="ind">Tremblay</span> also works regularly with members of the North London based <span class="ind">Loop Collective</span> and <span class="ind">Splice</span> finds him playing bass guitar and electronics alongside <span class="ind">Alex Bonney</span> (trumpet &amp; electronics), <span class="ind">Robin Fincker</span> (tenor sax &amp; clarinet) and Loop mainstay <span class="ind">Dave Smith</span> (drums).</p> <p>As both the group name and album title suggest this is a band that positively encourages experimentation as the sounds of conventional instruments are juxtaposed with electronics and other elements of sound manipulation. All four members of the band contribute to the writing process with half of the album’s ten tracks being credited to the whole group, a result, I suspect, of them having developed from spontaneous improvisations. Indeed it’s a group piece that opens the album.</p> <p><span class="w">Caffeinated Drinks</span> begins in free improv territory, all shuffling drums, vocalised trumpet sounds and the flutter of saxophone pads plus a smattering of electronica. The latter gives the piece an almost ambient feel from which a drum groove eventually emerges allied to a deep dubby drone and topped off by alternatively long and short horn phrases. It maps out the territory that the band wish to explore but makes little concession to the uncommitted and as such isn’t perhaps the ideal opening track.</p> <p><span class="ind">Tremblay</span>’s <span class="w">Cortege</span> is more arresting, a skewed funeral march that with its blend of horns, electronica and dramatic drumming sounds similar to something that <span class="ind">Polar Bear</span> might have attempted. Indeed the numerous fans of <span class="ind">Seb Rochford</span>’s group should plenty to intrigue and delight in <span class="ind">Splice</span>’s music.</p> <p><span class="ind">Alex Bonney</span>’s <span class="w">The Wanderer</span> is more lyrical with a mellifluous mix of muted trumpet and clarinet contrasting well with the vaguely unsettling bass and drum grooves conjured by <span class="ind">Tremblay</span> and <span class="ind">Smith</span>.</p> <p><span class="ind">Fincker</span>’s composition <span class="w">The Mess</span> originally appeared on the eponymous d&eacute;but album by the trio <span class="ind">Blink</span> (<span class="ind">Fincker</span> with pianist <span class="ind">Alcyona Mick</span> and drummer <span class="ind">Paul Clarvis</span>), also released on the Loop label and reviewed elsewhere on this site. Here it’s a showcase for the fiery dialogue between <span class="ind">Fincker</span>’s tenor and <span class="ind">Smith</span>’s drums with <span class="ind">Tremblay</span>’s bass providing the necessary comment and punctuation.</p> <p>After a succession of compositions the group accredited <span class="w">Debris</span> marks a return to freely improvised territory and also ups the electronica quotient. <span class="ind">Tremblay</span> and <span class="ind">Bonney</span>’s electronics evoke the sound of deep space and <span class="ind">Smith</span>’s sparse but effective percussion adds a drugged, dubby feel.</p> <p><span class="ind">Smith</span>’s own <span class="w">Matter</span> seems to blur the lines between composition and improvisation. The piece blends long sax and trumpet lines above the rolling thunder of <span class="ind">Smith</span>’s drums and the rumble of <span class="ind">Tremblay</span>’s electronics, slowly building in intensity and climaxing with a <span class="ind">Bonney</span> trumpet solo before subsiding.</p> <p><span class="w">Interlude</span> is a brief but tempestuous improvised snippet led by <span class="ind">Smith</span>’s drums that acts as the curtain raiser for the seriously trippy <span class="w">Sillon Ferme</span>, the most obviously ambient piece on the record. Paced by <span class="ind">Tremblay</span>’s treated electric bass the piece is full of glitches and other electronica. It’s actually highly effective; simultaneously chilled out and spooky.</p> <p><span class="w">Ballade Fortuite</span> is a feature for <span class="ind">Bonney</span>’s superlative trumpet playing, an improvisation that draws on the Nordic masters <span class="ind">Nil Petters Molvaer</span> and <span class="ind">Arve Henriksen</span> plus the ghost of <span class="ind">Miles Davis</span>.</p> <p><span class="ind">Tremblay</span> and <span class="ind">Smith</span> provide suitably sympathetic accompaniment and <span class="ind">Fincker</span> eventually joins forces with <span class="ind">Bonney</span>. The whole thing sounds remarkably cogent and through composed and is highly effective.</p> <p>The album close with <span class="ind">Fincker</span>’s <span class="w">Luna Verde</span>, another piece that has seen the light of day before, in this instance the latest <span class="ind">Outhouse</span> album <span class="t">Straw, Sticks and Bricks</span> (see review elsewhere on this site). This version is very different with <span class="ind">Tremblay</span> and <span class="ind">Bonney</span>’s electronics supplanting <span class="ind">Hilmar Jensson</span>’s “space station guitar” on the original but the other worldly feel of the piece remains largely intact. Ironically this track sounds more “improvised” than its immediate predecessor with a dynamic peak being reached around three quarters of the way through with <span class="ind">Bonney</span>’s impassioned trumpet solo backed by <span class="ind">Smith</span>’s volcanic drumming.</p> <p><span class="ind">Splice</span> define themselves thus; “<span class="ind">Splice</span>’s raison d’&ecirc;tre is to mesh together influences of contemporary jazz, free improv, loud and soft noise, punk grit, ambient music, and more… with seamless blends or blunt juxtapositions.”</p> <p>On the whole I’d say that this album achieves these aims very well. It’s a record that sits outside the mainstream but despite the occasional, almost inevitable, longueurs there is still much here to please the adventurous listener. <span class="ind">Splice</span> are due to play the Harmonic Festival in Birmingham this Friday (30th September 2011) and it will be interesting to witness them performing this or similar material in a live situation.</p>
          
        
  
        
      
    
    
    
  


                  
                
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      <title>Nouvel arrivage: Revue &amp; corrigée #89 par Artistes divers</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=catalogue-20110926</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=catalogue-20110926</guid>
      <author>web@electrocd.com</author>
      <category>Nouveautés</category>
      <pubDate>2011-09-26T00:00:00-06:00</pubDate>
      <description>
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                        <a href="http://www.electrocd.com/fr/cat/rc_89/" title="Revue & corrig&eacute;e #89"><img src="http://www.electrocd.com/res/image.php/couv/rc_89.jpg?width=160" class="catimg" alt="Revue & corrig&eacute;e #89" title="Artistes divers: Revue & corrig&eacute;e #89" /></a>
                      
                      
                      
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    <p>
      Nous vous invitons &agrave; d&eacute;couvrir
      
      
      <a href="http://www.electrocd.com/fr/cat/rc_89/" class="cat" class="t">Revue & corrig&eacute;e #89</a>
      par Artistes divers,
      
      le plus r&eacute;cent article ajout&eacute; &agrave; notre boutique.
      
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      <title>5 nov: Vidéomusiques de Adkins, Justel, Dhomont à Los Angeles</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9813</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9813</guid>
      <author>web@electrocd.com</author>
      <category>En concert</category>
      <pubDate>2011-09-26T00:00:00-06:00</pubDate>
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                          <a href="http://www.electrocd.com/fr/bio/justel_el/discog/" title="Elsa Justel"><img src="http://www.electrocd.com/res/image.php/photo/justel_el.2.jpg?width=160" /></a>
                        
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/adkins_ma/discog/" title="Mathew Adkins"><img src="http://www.electrocd.com/res/image.php/photo/adkins_ma.5440.jpg?width=160" /></a>
                        
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/dhomont_fr/discog/" title="Francis Dhomont"><img src="http://www.electrocd.com/res/image.php/photo/dhomont_fr.14.jpg?width=160" /></a>
                        
                      
                        
                      
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        <p>Le festival SCREAM 2011 pr&eacute;sente la soir&eacute;e <span class="t">Sounding Images</span> le <span class="date">5 novembre 2011</span> au REDCAT (Los Angeles, &Eacute;U). 11 vid&eacute;omusiques sont au programme dont celles de <span class="ind">Mathew Adkins</span> / <span class="ind">Oliver Jones</span>, <span class="ind">Elsa Justel</span> et <span class="ind">Francis Dhomont</span> / <span class="ind">In&eacute;s Wickmann</span>.</p>
      
    
  

  
  
  
  
  
  
  
    
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                <a class="out" href="http://www.redcat.org/event/scream-festival-2011">Informations d&eacute;taill&eacute;es</a>
                au site redcat.org
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Elsa Justel</a>
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      <title>30 sept au 4 oct: Tremblay et Parmerud au festival EarZoom en Slovénie</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9812</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9812</guid>
      <author>web@electrocd.com</author>
      <category>En concert</category>
      <pubDate>2011-09-21T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
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                          <a href="http://www.electrocd.com/fr/bio/tremblay_pi/discog/" title="Pierre Alexandre Tremblay"><img src="http://www.electrocd.com/res/image.php/photo/tremblay_pi.6198.jpg?height=220" /></a>
                        
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/parmerud_ak/discog/" title="&Aring;ke Parmerud"><img src="http://www.electrocd.com/res/image.php/photo/parmerud_ak.5608.jpg?height=220" /></a>
                        
                      
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        <p><span class="ind">Pierre Alexandre Tremblay</span> et <span class="ind">&Aring;ke Parmerud</span> (et plusieurs autres musiciens) sont &agrave; l’affiche du 3e festival d’art sonore EarZoom qui aura lieu du <span class="date">30 septembre au 4 octobre 2011</span> &agrave; Ljubljana (Slov&eacute;nie).</p>
      
    
  

  
  
  
  
  
  
  
    
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                  <a class="out" href="http://www.irzu.org/festival/festival_program.html">Informations d&eacute;taill&eacute;es</a>
                

                
                  
                    au site de l’&eacute;v&eacute;nement
                  
    
                  
                
                  <a class="out" href="http://www.irzu.org/festival/festival.html">EarZoom Sonic Arts Festival 2011</a>
                  
                
                
                
                
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                  — 

                  
                
                  30 septembre au 4 octobre 2011, Ljubljana, Slov&eacute;nie
                </span>
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Pierre Alexandre Tremblay</a>
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      <title>29 sept: Xenia Pestova interprète Lewis, Young et Wilson</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9811</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9811</guid>
      <author>web@electrocd.com</author>
      <category>En concert</category>
      <pubDate>2011-09-15T00:00:00-06:00</pubDate>
      <description>
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                          <a href="http://www.electrocd.com/fr/bio/lewis_an/discog/" title="Andrew Lewis"><img src="http://www.electrocd.com/res/image.php/photo/lewis_an.6294.jpg?height=220" /></a>
                        
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/young_jo/discog/" title="John Young"><img src="http://www.electrocd.com/res/image.php/photo/young_jo.1.jpg?width=160" /></a>
                        
                      
                        
                      
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        <p>La pianiste <span class="ind">Xenia Pestova</span> donnera un concert d’œuvres compos&eacute;es pour elle le <span class="date">29 septembre 2011</span> au Powis Hall, Bangor (Pays de Galles, RU). Au progamme: <span class="w">Schattenklavier</span> pour piano et traitement de <span class="ind">Andrew Lewis</span>, la premi&egrave;re britannique de <span class="w">On the Impossibility of Reflection</span> pour piano et traitement de <span class="ind">Scott Wilson</span> et, en cr&eacute;ation, <span class="w">X</span> pour piano et bande de <span class="ind">John Young</span>. En compl&eacute;ment de programme, des pi&egrave;ces de <span class="ind">Messiaen</span>, <span class="ind">Mompou</span> et <span class="ind">Ravel</span>.</p>
      
    
  

  
  
  
  
  
  
  
    
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                <a class="out" href="http://www.bangor.ac.uk/concerts/full-event.php.en?nid=5435&tnid=5435">Informations d&eacute;taill&eacute;es</a>
                au site bangor.ac.uk
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      <title>Review</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=press-4548</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=press-4548</guid>
      <author>web@electrocd.com</author>
      <category>Presse</category>
      <pubDate>2011-09-15T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                  
                  
                    
  
    Par Dolf Mulder

    
      <i>in</i> <a class="out" href="http://www.vitalweekly.net/798.html">Vital</a> #798 (Pays-Bas), 15 septembre 2011
    
  

  

  
    
      
        <h2>Texte</h2>
      
        
          
            
              «Clearly improvised music and jazz, but also electronic and ambient music and — in contrast — noisy and punk approaches as well.»
            
          
        
          
            <p>Splice is <span class="ind">Robin Fincker</span> (tenor sax, clarinet), <span class="ind">Alex Bonney</span> (trumpet, electronics), <span class="ind">Pierre Alexandre Tremblay</span> (bass, electronics) and <span class="ind">Dave Smith</span> (drums). <span class="t">Loop</span> is their debut and it was launched at the 2011 Loop Festival in London. This festival is an initiative of the Loop Collective, a collective of artists that decided to create a platform for their activities. Splice is one of the projects that emerged from this collective enterprise. Their work is influenced by a wide range of musical styles. Clearly improvised music and jazz, but also electronic and ambient music and — in contrast — noisy and punk approaches as well. A piece as <span class="w">Cort&egrave;ge</span> sounded as an updated version of <span class="ind">Henry Cow</span>. Other pieces are very open structures that often miss a clear face. A piece as <span class="w">Sillon ferm&eacute;</span> is more close to ambient-like soundsculptures, whereas <span class="w">Ballade fortuite</span> taps from improvised music and jazz vocabulary. But in both cases the music is often very introspective and developing in a slow pace. In the closing piece <span class="w">Luna Verde</span> however the music reaches an intensity that gradually pulls you in the music.<!-- But in all in all it is difficult to get absorbed by this music.--></p>
          
        
  
        
      
    
    
    
  


                  
                
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      <title>15 sept: Vidéomusiques et plus à Bogotá</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9810</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9810</guid>
      <author>web@electrocd.com</author>
      <category>Général</category>
      <pubDate>2011-09-13T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
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                          <a href="http://www.electrocd.com/fr/bio/dhomont_fr/discog/" title="Francis Dhomont"><img src="http://www.electrocd.com/res/image.php/photo/dhomont_fr.14.jpg?width=160" /></a>
                        
                      
                        
                      
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        <p>Les vid&eacute;omusiques <span class="w">Passages</span> et <span class="w">D&eacute;rive</span> de <span class="ind">Francis Dhomont</span> et <span class="ind">In&eacute;s Wixckman</span> seront pr&eacute;sent&eacute;es lors du r&eacute;cital <span class="t">M&uacute;sica de c&aacute;mara mixta, electroac&uacute;stica y video-arte</span> le <span class="date">15 septembre 2011</span> &agrave; l’Auditorio Alberto Lleras de la Universidad de los Andes &agrave; Bogot&aacute; (Colombie). Aussi au programme des œuvres de <span class="ind">Natasha Barrett</span> (<span class="w">Rite-3/18</span>), <span class="ind">Catalina Peralta C&aacute;ceres</span> et <span class="ind">Germ&aacute;n Toro-P&eacute;rez</span>.</p>
      
    
  

  
  
  
  
  
  
  
    
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                <a class="out" href="http://eventos.uniandes.edu.co/descripcion_evento.php?id_evento=1034">Informations d&eacute;taill&eacute;es</a>
                au site eventos.uniandes.edu.co
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      <title>Journal d’écoute</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=press-4542</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=press-4542</guid>
      <author>web@electrocd.com</author>
      <category>Presse</category>
      <pubDate>2011-09-12T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
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                        <a href="http://www.electrocd.com/fr/cat/imed_11106/" title="D&eacute;sordres"><img src="http://www.electrocd.com/res/image.php/couv/imed_11106.jpg?width=160" class="catimg" alt="D&eacute;sordres" title="Roxanne Turcotte: D&eacute;sordres" /></a>
                      
                      
                      
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    Par Fran&ccedil;ois Couture

    
      <i>in</i> <a class="out" href="http://blog.monsieurdelire.com/2011/09/2011-09-12-roxanne-turcotte-christian.html">Monsieur D&eacute;lire</a> (Qu&eacute;bec), 12 septembre 2011
    
  

  

  
    
      
        <h2>Texte</h2>
      
        
          
            
              «… <span class="t">D&eacute;sordres</span> offre une excellent initiation &agrave; l’art sonore.»
            
          
        
          
            <p>Il y a toujours une certaine l&eacute;g&egrave;ret&eacute; dans les œuvres de <span class="ind">Roxanne Turcotte</span>, une l&eacute;g&egrave;ret&eacute; inhabituelle en musique acousmatique. <span class="t">D&eacute;sordres</span>, son troisi&egrave;me disque chez empreintes DIGITALes, propose deux heures de pi&egrave;ces compos&eacute;es entre 2003 et 2008. &Agrave; une exception (<span class="w">Sous &eacute;coute!</span>, 10 minutes), elles sont toutes soit courtes, soit constitu&eacute;es de mouvements courts. Cette bri&egrave;vet&eacute; des id&eacute;es expos&eacute;es ne traduit pas une recherche sonore moins pouss&eacute;e, mais simplement une approche qu’on pourrait qualifier de plus populaire. C’est &agrave; dire que, souvent, le propos de <span class="ind">Turcotte</span> est plus imm&eacute;diatement palpable, sensible, et moins m&eacute;diatis&eacute; &agrave; travers la culture. Du coup, <span class="t">D&eacute;sordres</span> offre une excellent initiation &agrave; l’art sonore. Cela dit, l’album, en p&eacute;chant par exc&egrave;s (2 heures, 9 œuvres), est quelque peu d&eacute;cousu, et ce manque de coh&eacute;sion se refl&egrave;te m&ecirc;me dans sa pi&egrave;ce la plus longue, la suite <span class="w">Mus&eacute;e sonore</span> (41 minutes), un peu factice dans l’assemblage de ses parties. Paru en DVD-Audio, avec versions 5.1 et st&eacute;r&eacute;o.</p>
          
        
  
        
      
    
    
    
  


                  
                
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      <title>Journal d’écoute</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=press-4543</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=press-4543</guid>
      <author>web@electrocd.com</author>
      <category>Presse</category>
      <pubDate>2011-09-12T00:00:00-06:00</pubDate>
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                        <a href="http://www.electrocd.com/fr/cat/imed_11107/" title="Le projet Ulysse"><img src="http://www.electrocd.com/res/image.php/couv/imed_11107.jpg?width=160" class="catimg" alt="Le projet Ulysse" title="Christian Calon: Le projet Ulysse" /></a>
                      
                      
                      
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    Par Fran&ccedil;ois Couture

    
      <i>in</i> <a class="out" href="http://blog.monsieurdelire.com/2011/09/2011-09-12-roxanne-turcotte-christian.html">Monsieur D&eacute;lire</a> (Qu&eacute;bec), 12 septembre 2011
    
  

  

  
    
      
        <h2>Texte</h2>
      
        
          
        
          
            <p>Parlant de l&eacute;g&egrave;ret&eacute; et de m&eacute;diation &agrave; travers la culture, <span class="t">Le projet Ulysse</span> est l’antith&egrave;se de <span class="t">D&eacute;sordres</span> [de <span class="ind">Roxanne Turcotte</span>]. Ancr&eacute; fermement dans le mythe d’Ulysse, l’œuvre fait appel &agrave; un livret &eacute;toff&eacute;, en fran&ccedil;ais, en anglais et en allemand. Son sens est multiple, difficile, et ce texte, mis de l’avant r&eacute;solument, d&eacute;tourne l’attention de la musique et des proc&eacute;d&eacute;s utilis&eacute;s. Parmi les narrateurs, on trouve entre autres la chanteuse <span class="ind">Shelley Hirsch</span> (qui fait beaucoup plus que narrer), l’acteur <span class="ind">Gabriel Gascon</span>, le po&egrave;te <span class="ind">Fortner Anderson</span>, le dramaturge <span class="ind">Wajdi Mouhawad</span> et le compositeur <span class="ind">Ned Bouhalassa</span>. Fait int&eacute;ressant: cette parution sur DVD-Vid&eacute;o comporte une piste visuelle qui propose des photos de la performance, ainsi qu’une partition graphique d&eacute;filante.<!-- Malgr&eacute; son ambition, je trouve ce th&eacute;&acirc;tre sonore quelque peu d&eacute;cevant.--></p>
          
        
  
        
      
    
    
    
  


                  
                
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      <title>Folie/Culture propose un nouvel atelier: création audio</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=press-4544</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=press-4544</guid>
      <author>web@electrocd.com</author>
      <category>Presse</category>
      <pubDate>2011-09-09T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                    <p>
                      
                      
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/dorion_er/discog/" title="&Eacute;rick d’Orion"><img src="http://www.electrocd.com/res/image.php/photo/dorion_er.1.jpg?width=160" /></a>
                        
                      
                    </p>
                  
                  
                  
                    
  
    Par Isabelle Chabot

    
      <i>in</i> <a class="out" href="http://www.quebechebdo.com/Culture/2011-09-09/article-2744381/Folie-Culture-propose-un-nouvel-atelier%3A-creation-audio/1">Qu&eacute;bec Hebdo</a> (Qu&eacute;bec), 9 septembre 2011
    
  

  

  
    
      
        <h2>Texte</h2>
      
        
          
            
              «L’id&eacute;e est de les amener plus loin dans un processus de cr&eacute;ation.»
            
          
        
          
            <p>L’organisation oeuvrant aupr&egrave;s des personnes ayant des probl&egrave;mes de sant&eacute; mentale, Folie/Culture, lance un nouvel Atelier de cr&eacute;ation en art audio. L’activit&eacute; unique est gratuite et offerte &agrave; environ huit personnes.</p> <p>Le projet est organis&eacute; en collaboration avec le centre Avatar et anim&eacute; par <span class="ind">&Eacute;rick d’Orion</span>. L’artiste sonore est &eacute;galement musicien et commissaire &agrave; l’occasion. Il proposera aux participants l’exploration et l’exp&eacute;rimentation sonore. «L’id&eacute;e est de les amener plus loin dans un processus de cr&eacute;ation. C’est une fa&ccedil;on de valoriser gr&acirc;ce &agrave; la pr&eacute;sentation publique pr&eacute;vue. &Ccedil;a donne une certaine importance et &ccedil;a les met aussi en contact avec des artistes professionnels», explique la directrice de Folie/culture, <span class="ind">C&eacute;line Marcotte</span>. Cette derni&egrave;re souligne que l’atelier n’est pas une forme d’art th&eacute;rapie. Personne n’&eacute;tudiera ou n’analysera les participants.</p>
          
        
  
        
      
    
    
    
  


                  
                
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      <title>3 au 7 oct: Cinq jours d’écologie sonore en Grèce</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9809</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9809</guid>
      <author>web@electrocd.com</author>
      <category>Général</category>
      <pubDate>2011-09-05T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                    <p>
                      
                      
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/westerkamp_hi/discog/" title="Hildegard Westerkamp"><img src="http://www.electrocd.com/res/image.php/photo/westerkamp_hi.5.jpg?height=220" /></a>
                        
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/lotis_th/discog/" title="Theodore Lotis"><img src="http://www.electrocd.com/res/image.php/photo/lotis_th.1.jpg?width=160" /></a>
                        
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/norman_ka/discog/" title="Katharine Norman"><img src="http://www.electrocd.com/res/image.php/photo/norman_ka.1.jpg?width=160" /></a>
                        
                      
                        
                      
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        <p>Le congr&egrave;s international d’&eacute;cologie sonore du <acronym lang="en" title="World Forum for Acoustic Ecology">WFAE</acronym> aura lieu du <span class="date">3 au 7 octobre 2011</span> &agrave; Corfou (Gr&egrave;ce). Au menu: une cinquantaine de communications et tables rondes et quatre concerts. <span class="ind">Hildegard Westerkamp</span>, <span class="ind">Katharine Norman</span> et <span class="ind">R Murray Schafer</span> font parmi des cinq orateurs principaux; <span class="ind">Theodore Lotis</span> y pr&eacute;sente une communication sur le payasage sonore et les installations sonore.</p>
      
    
  

  
  
  
  
  
  
  
    
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                    Voir le site de l’&eacute;v&eacute;nement
                  
                
                  <a class="out" href="http://www.akouse.gr/wfae2011/">WFAE 2011: Crossing Listening Paths</a>
                  
                
                
                
                
                <span class="detail">
                  — 

                  
                
                  3 au 7 octobre 2011, Corfou, Gr&egrave;ce
                </span>
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Hildegard Westerkamp</a>
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      <title>Les lauréats du 4e Concours Destellos sont…</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9808</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9808</guid>
      <author>web@electrocd.com</author>
      <category>Général</category>
      <pubDate>2011-09-02T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                    <p>
                      
                      
                      
                        
                      
                        
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/bernier_ni/discog/" title="Nicolas Bernier"><img src="http://www.electrocd.com/res/image.php/photo/bernier_ni.5970.jpg?height=220" /></a>
                        
                      
                        
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/gobeil_gi/discog/" title="Gilles Gobeil"><img src="http://www.electrocd.com/res/image.php/photo/gobeil_gi.7.jpg?height=220" /></a>
                        
                      
                        
                      
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        <p>La Fondation Destellos a annonc&eacute; les r&eacute;sultats de son 4e Concours de composition &eacute;lectroacoustique: le premier prix a &eacute;t&eacute; attribu&eacute; ex &aelig;quo &agrave; <span class="ind">Panayiotis Kokoras</span> pour son œuvre <span class="w">Magic</span> et &agrave; <span class="ind">David Hindmarch</span> pour sa pi&egrave;ce <span class="w">Golden Bowls</span>. Le prix Motus a &eacute;t&eacute; attribu&eacute; &agrave; <span class="w">Dans le ventre de la machine</span> de <span class="ind">Nicolas Bernier</span> et le prix Phonos &agrave; <span class="w">Ca&iacute;da, memoria y restituci&oacute;n</span> de <span class="ind">Ezequiel Esquenazi</span>. Une Mention sp&eacute;ciale Musiques & Recherches a &eacute;t&eacute; attribu&eacute;e &agrave; <span class="w">Les lointains noirs et rouges</span> de <span class="ind">Gilles Gobeil</span>. Des mentions ont &eacute;t&eacute; d&eacute;cern&eacute;es &agrave; des œuvres de <span class="ind">Martin B&eacute;dard</span>, <span class="ind">Pei-Yu Shi</span>, <span class="ind">Peiman Khosravi</span>, <span class="ind">Lautaro Vieyra</span>, <span class="ind">Chester Udell</span>, <span class="ind">Andy Dolphin</span>, <span class="ind">Charles Nichols</span> et <span class="ind">Sergio Santi</span>.</p>
      
    
  

  
  
  
  
  
  
  
    
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                  Voir le site
                
              
                <a class="out" href="http://www.fundestellos.org/">Fondaci&oacute;n Destellos</a>
  
                
                  
                
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Panayiotis Kokoras</a>
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      <title>Critique</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=press-4529</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=press-4529</guid>
      <author>web@electrocd.com</author>
      <category>Presse</category>
      <pubDate>2011-09-01T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                    <p>
                      
                        
          
                        <a href="http://www.electrocd.com/fr/cat/imed_11106/" title="D&eacute;sordres"><img src="http://www.electrocd.com/res/image.php/couv/imed_11106.jpg?width=160" class="catimg" alt="D&eacute;sordres" title="Roxanne Turcotte: D&eacute;sordres" /></a>
                      
                      
                      
                    </p>
                  
                  
                  
                    
  
    Par R&eacute;jean Beaucage

    
      <i>in</i> <a class="out" href="http://www.voir.ca/infocenter/disc.aspx?zone=1&section=6&disc=11720">Voir</a> (Qu&eacute;bec), 1 septembre 2011
    
  

  

  
    
      
        <h2>Texte</h2>
      
        
          
            
              «Pour ouvrir la porte de l'univers &eacute;lectroacoustique, c'est le genre de production id&eacute;ale.»
            
          
        
          
            <p>Troisi&egrave;me disque sous ce label montr&eacute;alais pour l’&eacute;lectroacousticienne, et la surprise est toujours au rendez-vous. Des &eacute;tonnantes prises de son de <span class="w">Mus&eacute;e sonore</span> (40 minutes!) &agrave; la musique mixte d’<span class="w">Espace vital</span>, sans oublier une pointe d’humour ici et l&agrave;, <span class="ind">Roxanne Turcotte</span> se fait plaisir et nous intrigue pendant tout pr&egrave;s de deux heures. Des bribes de paroles sorties de nulle part viennent ajouter un peu de surr&eacute;alisme &agrave; ces univers sonores f&eacute;&eacute;riques, et les pens&eacute;es de l’auditeur s’envolent dans toutes les directions. Pour ouvrir la porte de l’univers &eacute;lectroacoustique, c’est le genre de production id&eacute;ale. Il s’agit d’un DVD-Audio, alors tout &ccedil;a, qui est d&eacute;j&agrave; superbe en st&eacute;r&eacute;o, est aussi offert en 5.1; imaginez.</p>
          
        
  
        
      
    
    
    
  


                  
                
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      <title>12 au 23 nov: Gobeil en tournée d’œuvres pour ondes Martenot au RU</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9807</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9807</guid>
      <author>web@electrocd.com</author>
      <category>En concert</category>
      <pubDate>2011-08-18T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                    <p>
                      
                        
          
                        <a href="http://www.electrocd.com/fr/cat/imed_0576/" title="Trilogie d’ondes"><img src="http://www.electrocd.com/res/image.php/couv/imed_0576.jpg?width=160" class="catimg" alt="Trilogie d’ondes" title="Gilles Gobeil: Trilogie d’ondes" /></a>
                      
                      
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/gobeil_gi/discog/" title="Gilles Gobeil"><img src="http://www.electrocd.com/res/image.php/photo/gobeil_gi.7.jpg?height=220" /></a>
                        
                      
                        
                          
                        
                          <a href="http://www.electrocd.com/fr/bio/binetaudet_su/discog/" title="Suzanne Binet-Audet"><img src="http://www.electrocd.com/res/image.php/photo/binetaudet_su.jpg?width=160" /></a>
                        
                      
                    </p>
                  
                  
                  
                    
  
    
      
        <p><span class="ind">Gilles Gobeil</span> et l’ondiste <span class="ind">Suzanne Binet-Audet</span> pr&eacute;senteront une s&eacute;rie de sept concerts au Royaume-Uni du <span class="date">12 au 23 novembre 2011</span>: &Eacute;dimbourg (12), Glasgow (14), Keele (16), Bangor (17), Birmingham (19), Norwich (21), Scarborough (23). Au programme de ces concerts on retrouve les trois pi&egrave;ces pour ondes Martenot et bande de <span class="ind">Gilles Gobeil</span> du disque <a href="http://www.electrocd.com/fr/cat/imed_0576/" class="cat"  class="t">Trilogie d’ondes</a> ainsi que quelques pi&egrave;ces acousmatiques r&eacute;centes.</p>
      
    
  

  
  
  
  
  
  
  
    
  

  
    
      
  
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Trilogie d’ondes</a>
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      <title>Nouvel arrivage: usure.paysage par Nicolas Bernier</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=catalogue-20110815</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=catalogue-20110815</guid>
      <author>web@electrocd.com</author>
      <category>Nouveautés</category>
      <pubDate>2011-08-15T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                    <p>
                      
                        
          
                        <a href="http://www.electrocd.com/fr/cat/hr_7963cd/" title="usure.paysage"><img src="http://www.electrocd.com/res/image.php/couv/hr_7963cd.jpg?width=160" class="catimg" alt="usure.paysage" title="Nicolas Bernier: usure.paysage" /></a>
                      
                      
                      
                    </p>
                  
                  
                  
                    
  
    
    
  

  
    <p>
      Nous vous invitons &agrave; d&eacute;couvrir
      
      
      <a href="http://www.electrocd.com/fr/cat/hr_7963cd/" class="cat" class="t">usure.paysage</a>
      par <a href="http://www.electrocd.com/fr/bio/bernier_ni/discog/" class="bio" class="ind">Nicolas Bernier</a>,
      
      le plus r&eacute;cent article ajout&eacute; &agrave; notre boutique.
      
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      <title>Critique</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=press-4528</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=press-4528</guid>
      <author>web@electrocd.com</author>
      <category>Presse</category>
      <pubDate>2011-08-08T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                    <p>
                      
                        
          
                        <a href="http://www.electrocd.com/fr/cat/hr_7963/" title="usure.paysage"><img src="http://www.electrocd.com/res/image.php/couv/hr_7963.jpg?width=160" class="catimg" alt="usure.paysage" title="Nicolas Bernier: usure.paysage" /></a>
                      
                      
                      
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    Par Fran&ccedil;ois Couture

    
      <i>in</i> <a class="out" href="http://blog.monsieurdelire.com/2011/08/2011-08-08-nicolas-bernier-gert-jan.html">Monsieur D&eacute;lire</a> (Qu&eacute;bec), 8 ao&ucirc;t 2011
    
  

  

  
    
      
        <h2>Texte</h2>
      
        
          
            
              «Une œuvre charg&eacute;e mais solidement organis&eacute;e et captivante. Un arc compositionnel parfaitement d&eacute;fini.»
            
          
        
          
            <p>Tr&egrave;s bel album de musique concr&egrave;te qui confirme, une fois encore, l’importance de <span class="ind">Nicolas Bernier</span> dans le paysage &eacute;lectroacoustique actuel. Une œuvre charg&eacute;e mais solidement organis&eacute;e et captivante. Un arc compositionnel parfaitement d&eacute;fini. D’abord paru sur vinyl, maintenant disponible sur CD, le disque &eacute;tant livr&eacute; dans la pochette du vinyl original. Le CD comporte une pi&egrave;ce boni: la contribution de <span class="ind">Bernier</span> au projet <span class="t">trans_canada</span> d’empreintes DIGITALes.</p>
          
        
  
        
      
    
    
    
  


                  
                
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      <title>Ina-GRM: Le coffert Ferrari est de retour</title>
      <link>http://www.electrocd.com/fr/select/blogue/?id=nouv-9806</link>
      <guid>http://www.electrocd.com/fr/select/blogue/?id=nouv-9806</guid>
      <author>web@electrocd.com</author>
      <category>Nouveautés</category>
      <pubDate>2011-08-05T00:00:00-06:00</pubDate>
      <description>
        <![CDATA[
                
                  
                    <p>
                      
                        
          
                        <a href="http://www.electrocd.com/fr/cat/ina_g_6017/" title="L’œuvre &eacute;lectronique"><img src="http://www.electrocd.com/res/image.php/couv/ina_g_6017.jpg?width=160" class="catimg" alt="L’œuvre &eacute;lectronique" title="Luc Ferrari: L’œuvre &eacute;lectronique" /></a>
                      
                      
                      
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        <p><a href="http://www.electrocd.com/fr/boutique/inagrm/" class="label">Ina-GRM</a> a produit un nouveau tirage de l’important coffret de 10 disques <a href="http://www.electrocd.com/fr/cat/ina_g_6017/" class="cat"  class="t">L’œuvre &eacute;lectronique</a> de <span class="ind">Luc Ferrari</span>. Achetez votre coffret maintenant, alors que le stock est frais!</p>
      
    
  

  
  
  
  
  
  
  
    
  

  
    
    
    
      
        
          
        
  
        
      
    
  


                  
                
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