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La somme des travaux de «plunderphonics» de ce génial compositeur.
Plunderphonics
69/96 is a cultural paradox, one of the only truly underground musical
phenomena to emerge in the latter quarter of the 20th century (“This art is
more radical in its social and political associations than the introduction of
the electric guitar”), yet featuring some of the world’s most
recognizable music imbedded in novel constellations of sonic subversity by
John Oswald. “Mr
Oswald flew past the level of mere
sampling. He has taken sampling fifty times beyond what we’ve come to
expect.” This ambitious package contains 60 memorable tracks, from the
Swinging Sixties to the Numb Nineties, on two hyper-dense discs covering the
gamut of progressive musical endeavour, where punk meets classical, schmaltz
marries metal, jazz divorces rap and electronica kills world. “Plunderphonics
69/96 is recreational savagery… A consistently brilliant record.”
Each title features an instantly recognizable musical icon transformed into an
electroquoted Frankenstein or Hyde with a plunderphoney moniker such as Anthrax
Squeeze Factory, Sinéad O’Connick Jr, Beastie Shop Beach, or Bing
Stingspreen. Often visceral, occasionally poignant, sometimes funny, never
predictable and always challenging, the set is an entire record collection packed
into this compact book form, including an extensively annotated retrospective
account by reproducer Oswald, lavishly illustrated
with full color collages. “For the moment John
Oswald is a solo movement, the most exciting school of one in music.”
Oswald has been restricted
from releasing this music so [the label] Seeland has stepped in and
‘borrowed’ this package and made it available to you. Profits will be
invested in the future of plunderphonics.
Songs
| 1 |
Btls (1989)
|
56s |
| 2 |
Power (1975)
|
3m46s |
| 3 |
O’hell (1990)
|
3m39s |
| 4 |
2net (1990)
|
1m24s |
| 5 |
Anon (1990)
|
4m18s |
| 6 |
Vane (1990)
|
3m20s |
| 7 |
Mother (1990)
|
2m00s |
| 8 |
Z (1990)
|
20s |
| 9 |
Angle (1990)
|
2m41s |
| 10 |
Way (1987)
|
2m48s |
| 11 |
Sfield (1980)
|
31s |
| 12 |
Ebb (1990)
|
2m35s |
| 13 |
Mad Mod (Jello Bellafonte)
(1993)
|
2m19s |
| 14 |
Brazillionaires Theme (1996)
|
2m30s |
| 15 |
Bday (1996)
|
1m56s |
| 16 |
Philosophry (1992)
|
1m14s |
| 17 |
Cuss (1988)
|
13s |
| 18 |
Explo (1996)
|
2m29s |
| 19 |
Sonic Euthanasia (1994)
|
59s |
| 20 |
Cyfer (Depeche Mould) (1992)
|
1m48s |
| 21 |
Pretender (1988)
|
2m45s |
| 22 |
Dont (1988)
|
2m51s |
| 23 |
White (1989)
|
4m24s |
| 24 |
Black (1989)
|
2m02s |
| 25 |
Brown (1989)
|
3m56s |
| 26 |
Dab (1989)
|
7m12s |
| 27 |
Case of Death Part 1 Chapters 1-16
(1991)
|
5m59s |
| 28 |
Fabulous (1983)
|
2m32s |
Tunes
| 1 |
Case of Death Part 2 Chapters 1-9
(1991)
|
3m18s |
| 2 |
Andy (Dang Fishy Riff) (1977)
|
54s |
| 3 |
Z24 (1993)
|
1m53s |
| 4 |
Net (1989)
|
1m28s |
| 5 |
Birth1 (1989)
|
1m13s |
| 6 |
Mist (1987)
|
1m53s |
| 7 |
Barely (1969)
|
05s |
| 8 |
Birth2 (1969)
|
1m14s |
| 9 |
Prelude (1990)
|
55s |
| 10 |
Mach (1993)
|
4m26s |
| 11 |
Barelys (1969)
|
42s |
| 12 |
Birth3 (1989)
|
46s |
| 13 |
Rose (1988)
|
1m54s |
| 14 |
Ten4gv (1986)
|
24s |
| 15 |
Debizet (1991)
|
3m34s |
| 16 |
Pocket (1987)
|
3m13s |
| 17 |
Tune (1988)
|
1m59s |
| 18 |
Fold (1995)
|
2m10s |
| 19 |
Mirror (1988)
|
4m02s |
| 20 |
dWig (1991)
|
3m02s |
| 21 |
7th (1988)
|
3m06s |
| 22 |
Lune (1995)
|
2m32s |
| 23 |
Aria (1989)
|
3m49s |
| 24 |
Spring (1980)
|
1m18s |
| 25 |
Discorite (1996)
|
1m38s |
| 26 |
Lovedrops (1989)
|
1m22s |
| 27 |
V& (1991)
|
1m07s |
| 28 |
preLieu (1991)
|
6m17s |
| 29 |
Para D (1986)
|
11m04s |
| 30 |
Rainbow (1989)
|
4m30s |
| 31 |
1001 (1993)
|
3m53s |
|
durée totale
|
153m20s |
electrocd.com John
Oswald: Plunderphonics 69/96: description
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