The sound material in Skweeit-Chupp includes synthetic and acoustic sounds (voice and percussion). From pitch and envelope analysis, control signals are derived for FM synthesis and signal processing. This system allows for a given input signal to modify itself in terms of its processing and synthetic accompaniment. It was realized at IRCAM (Paris, France) in the summer of 1990.
Zack Settel [xi-90]
oeuvre@14269