On the Top Shelf // Hurray for Cache

If radio doesn’t appear, it means you haven’t installed the Flash plugin or that your version is too old. You must also activate Javascript.

Radio // Saturday, February 13, 2016
Cache 2014
Résurgence (2012), 8m55s
Track 1 from Cache 2014
CD: CEC-PeP (2015) PEP 019

Blog // Saturday, February 13, 2016

  • Today…

    … is the birthday of:

    February 13, 2016 // General
  • Current & Upcoming Events

    • Mois Multi (Until Feb 27)
    • SEAMUS 2016 (Until Feb 13)
    • The San Francisco Tape Music Festival 2016 (Until Feb 14)
    • Electric Spring 2016 (Feb 17 to 21)
    • Festival Cable#9 (Feb 18 to 21)
    • Festival Loop 8, phase 1 (Feb 18 to Mar 5)
    • Acousmatics in the UK (Feb 24)
    • FréQuenCes II (Feb 26)
    • New York City Electroacoustic Improvisation Summit (Feb 27)
    February 13, 2016 // Live Events
  • Growl in The Sound Projector

    “Composer Åke Parmerud is from Göteborg, which is also the home of underground labels such as Fang Bomb, Release The Bats, and Beläten, names on which we can always rely to provide solid blasts of depressive post-industrial noise and drone music. Parmerud isn’t exactly cut from the same cloth, being as how he’s a prize-winning and classically-trained electroacoustic maestro, but…”

    January 31, 2016 // Press
  • Firmament in The Sound Projector

    “Three long pieces of electroacoustic composition from German composer Hans Tutschku on his Firmament (empreintes DIGITALes IMED 15131) collection received here 8th July 2015. As with many of the musicians on this label, he’s got a conservatoire / academic background, with highlights of his career including a three-year tour with Stockhausen (mainly to study the master’s ideas about sound projection…”

    January 25, 2016 // Press
  • New Arrivals

    January 20, 2016 // New Releases
  • L’envol in Yle Radio 1

    “[…] Muinaiset maya-intiaanit palvoivat Aurinkoa. He tutkivat sitä ja muitakin taivaan ilmiöitä tähtitieteellisesti. Amerikkalainen nykysäveltäjä Elizabeth Anderson on ollut kiinnostunut sekä aurinkotuulista että maya-kulttuurista. Hän yhdisti nämä asiat sävellyksessään Solar Winds, jonka materiaalina ovat radioastronomiset äänitykset aurinkotuulista. Teos valmistui vuonna 2012 ja paria vuotta myöhemmin hän sävelsi teokselle jatkoa. Jatko-osa sai nimekseen … and Beyond, ja sen ajatuksena on kuvata…”

    January 14, 2016 // Press