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This piece was composed at the Studio Charybde of the INEM, Bourges, France, in May, 1995.
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In th’air or th’earth was realized in the Electroacoustic Studios of the University of Birmingham, UK, between 1996 and ’97. I would like to acknowledge the assistance of Lys Appleby and Selina Ross, who provided the vocal material.
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Cinematic elements suggesting movement have been combined with gestures and textures of varying energy and complexity - the electroacoustic medium permiting fluid interaction between the two.
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thanks to Yves Charuest for his openness and flexibility as a performer and as a musician.
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This piece is the first in a suite of three pieces, entitled Under the Playground, composed at the University of Birmingham, UK, in 1998. To many moments passed is both celebration and lament. (Please see http://www.chuprun.net/utp.html for more information.)
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Sound recordings from Bordighera and Menton: Hanno Gerwin.
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Special thanks to: the other whipper, Wendy Reid; whippees Willie Winant and Sam Ashley; the laugher, Kosta Markakos; Les Stuck.
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Three Electronic Sketches (from Seven Electronic Sketches, April 1984) originally 4 channels. Equipment utilized: EMS — VCS3 II, DK1, Filter Bank, Pitch to Voltage Converter and Random Generator. Private studio.
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Horizont im Ohr was produced at the Electroacoustic Music Studios of the University of Birmingham (UK).
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À Nikki Halpern
step, under was composed at the Groupe de recherches musicales (GRM, Paris) using the MARS (Musical Audio Research Station) workstation, and spatialized in eight channels via my program Octopode. Commissioned by the Ina-GRM, 1998.
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To Francis Dhomont
extrémités lointaines was realized in 1998 in the studios of Ina-GRM (Paris) and first performed in the original 8-channel version on 23 February 1998 during the Cycle acousmatique Son-Mu of GRM. The present stereo version was realized the same year also at Ina-GRM. The piece was commissioned by the French State (Music Office) and the Ina-GRM (Paris). extrémités lointaines was a Finalist in the Bourges International Electroacoustic Music Competition (France, 1998) and obtained a Distinction at the Prix Ars Electronica (Linz, Austria, 1998).
Francis Dhomont gewidmet
extrémités lointaines wurde 1998 im Studio von Ina-GRM (Paris) realisiert und in seiner 8-kanaligen Originalversion am 23. Februar 1998 innerhalb des „Cycle acousmatique Son-Mu“ vom GRM uraufgeführt. Die vorliegende Stereofassung wurde ebenfalls 1998 im gleichen Studio abgemischt. Die Komposition ist ein Auftrag des Französischen Kulturministeriums und Ina-GRM. extrémités lointaines war Finalist beim Internationalen Wettbewerb für elektroakustische Musik in Bourges (Frankreich, 1998) und erhielt den Avard of Distinction beim Prix Ars Electronica (Linz, Österreich, 1998).
Vox Alia is a suite of short vocal etudes which, via electroacoustic treatment, conserve traces of the melodic, rhythmic and timbral qualities of this marvelous medium, in the service of a particular character or feeling.
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Thanks to Shirley Gould for the text (and yes, of course, that’s Strauss!)
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