Various artists

Klang

NMC
NMC D035
1996
CD
1 disc
Not in catalogue

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Radio // Klang
Évidence matérielle
Klang: Introduction [excerpt]
Track 1 from Évidence matérielle
CD: empreintes DIGITALes (2000) IMED 0052
  • piste@nmc_d035-1
    • 1
      Klang (1982), 9m02s
      • Commission: MAFILM
      • Premiere: 1982, University of Birmingham (Birmingham, England, UK)

      The title (‘Klang’ is the German for ‘sound’) reflects the onomatopoeic nature of the family of sounds providing the raw material for the piece — sharp, metallic attacks with interesting resonances rich in harmonics. The real starting point for Klang was the discovery (in Denis Smalley’s kitchen!) of two earthenware casseroles, the sounds of which were recorded in the Electroacoustic Music Studio of the University of East Anglia (Norwich, UK) during the summer of 1981. Material of two kinds was recorded — attack/resonance sounds made by tapping the lids on or in the bowls, and continuous rolling sounds made by running the lids around the insides of the bowls. Different pitches resulted from the various combinations of lids and bowls, and different qualities of resonance emerged according to the attack position. The microphones were placed very close to the bowls to maximize the movement within the stereophonic image. Other related material, accumulated over the previous three or four years, was also used. This included both real-world sounds, such as cow-bells, metal rods and aluminum bars, and electronically generated sounds, both analog and digital. The final impetus to compose the piece came in June 1981 when I was invited by János Décsenyi to work in the Electronic Music Studio of Magyar Rádió in Budapest. As studio time would be limited I was advised to take a certain amount of taped material with me; the two weeks prior to the visit were therefore spent in preliminary work in the Electroacoustic Music Studio of The University of Birmingham. Much of the opening two sections of the piece were composed before going to Hungary.

      Although continuous, Klang falls into six short, fairly clearly defined sections: Introduction; Development 1: duet; Development 2: interruption of duet and increase in complexity towards the first climax; Development 3: relatively static section; Development 4: proliferation of material from Development 3 into glissando structures, build-up to the second (main) climax; and slow release to the final Coda.

      The listener can trace the development of the material from raw statements of casserole sounds in the Introduction, through more complex, highly transformed events in the four sections, back to the opening sound-world in the Coda. The most obvious transformation technique is mixing, using multiple but only slightly transposed versions of simple sounds. Besides mixing and transposition with tape recorders and a harmonizer, the main modifications were achieved by filtering and, most important of all, montage. This last technique is the principal means of controlling the timing and rhythmic articulation of the material and its organisation into phrases (which may be a single line or a mix of many layers, edited together into the desired sequence).

      [ix-00]

      Klang was composed in 1982 in the Electronic Music Studio of Magyar Rádió and premiered later that year at the University of Birmingham (UK). The piece was commissioned by MAFILM. It was awarded Second Prize in the Analogue Category of the 1983 Bourges International Electroacoustic Music Awards (France) and it was awarded a 1992 Euphonie d’or “as one of the twenty most significant works from two decades of the Bourges Awards.” Thanks to János Décsenyi. It has been performed and broadcast in many parts of the world, including at the 1984 ISCM World Music Days in Toronto (Canada). Klang has been previously released in 1984 on the UEA label (UEA 84099) and in 1996 on the NMC label (NMC D035).

      piste@nmc_d035-1.1 oeuvre@13799 ISRC CAD500014140

      This Track Appears On…

      • Klang
        Various artists
        NMC
        NMC D035
        1996
        CD
        1 disc
        Not in catalogue
    • 2
      Ensphered (1989-90), 10m41s
      soprano saxophone, and tape
      piste@nmc_d035-1.2 oeuvre@25736

      This Track Appears On…

      • Klang
        Various artists
        NMC
        NMC D035
        1996
        CD
        1 disc
        Not in catalogue
    • 3
      Kilim (1993), 10m24s

      To Juliette

      Killim is an attempt to explore a number of sound-worlds through instrumental sound. But rather than articulate the traditional (abstract) materials of music, the sounds articulate snapshots (brief images) of the instruments which are often transformed beyond recognition into worlds where only the sense of energy present in their playing is felt.

      The source material for Kilim come from recorded improvisation on (mostly) reed instruments from a number of cultures, and the work is concerned with keeping fragments of recognisable instrumental sound and retaining their sense of “played” energy, whilst using the sounds at the same time to create more abstract ‘acousmatic’ gestures.

      The piece is built around a series of trajectories which act as triggers and cadences, or underpin longer passages, steering the pacing of the music using dozens of short sounds combined to make dramatic gestures or textures. The word, kilim, describes an intricately woven middle-eastern carpet whose designs inspired the piece.

      [source: reseauxconcerts.com]

      piste@nmc_d035-1.3 oeuvre@16009

      This Track Appears On…

      • Klang
        Various artists
        NMC
        NMC D035
        1996
        CD
        1 disc
        Not in catalogue
    • 4
      Crosscurrents (1990), 14m09s
      harpsichord, and tape
      • Jane Chapman, harpsichord
      piste@nmc_d035-1.4 oeuvre@25737

      This Track Appears On…

      • Klang
        Various artists
        NMC
        NMC D035
        1996
        CD
        1 disc
        Not in catalogue
    • 5
      EQ (1980), 14m51s
      soprano saxophone, and tape
      piste@nmc_d035-1.5 oeuvre@10085

      This Track Appears On…

      • Klang
        Various artists
        NMC
        NMC D035
        1996
        CD
        1 disc
        Not in catalogue
    • 6
      Busk (1988), 15m03s
      piste@nmc_d035-1.6 oeuvre@25738

      This Track Appears On…

      • Klang
        Various artists
        NMC
        NMC D035
        1996
        CD
        1 disc
        Not in catalogue

    This Track Appears On…

    • Klang
      Various artists
      NMC
      NMC D035
      1996
      CD
      1 disc
      Not in catalogue

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