Various artists
25 composers

Électro clips

IMED 9604
1996

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Radio // Électro clips
Électro clips
Style de bougalou (1990), 3m02s [excerpt]
Track 1 from Électro clips
CD: empreintes DIGITALes (1996) IMED 9604
  • piste@imed_9604-1
    • 1
      Style de bougalou (1990), 3m02s
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)
      piste@imed_9604-1.1 oeuvre@14245 ISRC CAD509612770
    • 2
      Somewhere between (1990), 3m01s
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)
      piste@imed_9604-1.2 oeuvre@14256 ISRC CAD509612780
    • 3
      Point-virgule (1990), 3m00s
      • Commission: empreintes DIGITALes
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)
      piste@imed_9604-1.3 oeuvre@14263 ISRC CAD509612790
    • 4
      Bell Speeds (1983, 90), 3m00s
      • Commission: empreintes DIGITALes
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)
      piste@imed_9604-1.4 oeuvre@14264 ISRC CAD509612800
    • 5
      Mi bémol (1990), 2m59s
      • Commission: empreintes DIGITALes
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)
      piste@imed_9604-1.5 oeuvre@14265 ISRC CAD509612810
    • 6
      Les oiseaux de Bullion (1990), 3m02s
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)
      piste@imed_9604-1.6 oeuvre@14266 ISRC CAD509612820
    • 7
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)
      piste@imed_9604-1.7 oeuvre@14267 ISRC CAD509612830
    • 8
      Marimba Dismembered (1990), 3m00s
      • Commission: empreintes DIGITALes
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)
      piste@imed_9604-1.8 oeuvre@14268 ISRC CAD509612840
    • 9
      Skweeit-Chupp (1990), 2m58s
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)
      piste@imed_9604-1.9 oeuvre@14269 ISRC CAD509612850
    • 10
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)
      piste@imed_9604-1.10 oeuvre@14246 ISRC CAD509612860
    • 11
      What If (1990), 2m59s
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)
      piste@imed_9604-1.11 oeuvre@14247 ISRC CAD509612870
    • 12
      Humoresque 901534 (1990), 3m01s
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)
      piste@imed_9604-1.12 oeuvre@14248 ISRC CAD509612880
    • 13
      Simulant (1990), 2m56s
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)
      piste@imed_9604-1.13 oeuvre@14249 ISRC CAD509612890
    • 14
      Associations libres (1990), 3m00s
      electric guitar, and tape
      • Commission: René Lussier, with support from the CCA , empreintes DIGITALes
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)
      piste@imed_9604-1.14 oeuvre@14250 ISRC CAD509612900
    • 15
      Bédé (1990), 3m01s
      • Le monde de l’enfance [The Realm of Childhood]
      • La vallée des fantômes [The Valley of Phantoms]
      • La quête de la voix [In Search of the Voice]
      • Commission: empreintes DIGITALes
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)

      To my parents

      Borrowed from the Dictionnaire des bruits by Jean-Claude Trait and Yvon Dulude (Éditions de l’Homme, Montréal, 1989), the sounds used to create this miniature are taken from comic strips (bande dessinée in French, or its acronym BD—pronounced ‘bay day’), traditionally associated with childhood. Contrary to popular belief, I have never felt that childhood is a carefree time filled with happy and marvelous things. Rather it is a battleground where the child not only struggles against the exterior world of adults, but must encounter the enemies within—the demons, the phantoms. The voice of Marie-Hélène Blain, 11 years old, is the one and only sonorous element of the piece.

      Bédé was produced at the composer’s studio and at the Groupe de recherches musicales (Ina-GRM) in Paris with the assistance of the Canada Council [for the Arts]. The piece was presented on November 2, 1990 at the Montréal musiques actuelles festival.

      Bédé was commissioned by empreintes DIGITALes and was recorded on the disc Électro clips [IMED 9004, IMED 9604] in 1990; a stereo recording of a multitrack sound diffusion was produced at The Banff Centre for the Arts (engineers: Antonio Oliart and Stephanie Rogers; assistant: Jennifer Lewis) in July, 1993, and recorded on the disc Tangram [IMED 919/20]; a ramastered studio version was recorded on the rerelease of Tangram [IMED 9920] in 1999.

      piste@imed_9604-1.15 oeuvre@14251 ISRC CAD509612910
      • 15a
        Bédé: Le monde de l’enfance [The Realm of Childhood] (1990), 1m10s

        Borrowed from the Dictionnaire des bruits by Jean-Claude Trait and Yvon Dulude (Éditions de l’Homme, Montréal, 1989), the sounds used to create this miniature are taken from comic strips (bande dessinée in French, or its acronym BD—pronounced ‘bay day’), traditionally associated with childhood. Contrary to popular belief, I have never felt that childhood is a carefree time filled with happy and marvelous things. Rather it is a battleground where the child not only struggles against the exterior world of adults, but must encounter the enemies within—the demons, the phantoms. The voice of Marie-Hélène Blain, 11 years old, is the one and only sonorous element of the piece.

        Bédé was produced at the composer’s studio and at the Groupe de recherches musicales (Ina-GRM) in Paris with the assistance of the Canada Council [for the Arts]. The piece was presented on November 2, 1990 at the Montréal musiques actuelles festival.

        Bédé was commissioned by empreintes DIGITALes and was recorded on the disc Électro clips [IMED 9004, IMED 9604] in 1990; a stereo recording of a multitrack sound diffusion was produced at The Banff Centre for the Arts (engineers: Antonio Oliart and Stephanie Rogers; assistant: Jennifer Lewis) in July, 1993, and recorded on the disc Tangram [IMED 919/20]; a ramastered studio version was recorded on the rerelease of Tangram [IMED 9920] in 1999.

        piste@imed_9604-1.15.15a oeuvre@23743
      • 15b
        Bédé: La vallée des fantômes [The Valley of Phantoms] (1990), 1m04s

        Borrowed from the Dictionnaire des bruits by Jean-Claude Trait and Yvon Dulude (Éditions de l’Homme, Montréal, 1989), the sounds used to create this miniature are taken from comic strips (bande dessinée in French, or its acronym BD—pronounced ‘bay day’), traditionally associated with childhood. Contrary to popular belief, I have never felt that childhood is a carefree time filled with happy and marvelous things. Rather it is a battleground where the child not only struggles against the exterior world of adults, but must encounter the enemies within—the demons, the phantoms. The voice of Marie-Hélène Blain, 11 years old, is the one and only sonorous element of the piece.

        Bédé was produced at the composer’s studio and at the Groupe de recherches musicales (Ina-GRM) in Paris with the assistance of the Canada Council [for the Arts]. The piece was presented on November 2, 1990 at the Montréal musiques actuelles festival.

        Bédé was commissioned by empreintes DIGITALes and was recorded on the disc Électro clips [IMED 9004, IMED 9604] in 1990; a stereo recording of a multitrack sound diffusion was produced at The Banff Centre for the Arts (engineers: Antonio Oliart and Stephanie Rogers; assistant: Jennifer Lewis) in July, 1993, and recorded on the disc Tangram [IMED 919/20]; a ramastered studio version was recorded on the rerelease of Tangram [IMED 9920] in 1999.

        piste@imed_9604-1.15.15b oeuvre@23744
      • 15c
        Bédé: La quête de la voix [In Search of the Voice] (1990), 42s

        Borrowed from the Dictionnaire des bruits by Jean-Claude Trait and Yvon Dulude (Éditions de l’Homme, Montréal, 1989), the sounds used to create this miniature are taken from comic strips (bande dessinée in French, or its acronym BD—pronounced ‘bay day’), traditionally associated with childhood. Contrary to popular belief, I have never felt that childhood is a carefree time filled with happy and marvelous things. Rather it is a battleground where the child not only struggles against the exterior world of adults, but must encounter the enemies within—the demons, the phantoms. The voice of Marie-Hélène Blain, 11 years old, is the one and only sonorous element of the piece.

        Bédé was produced at the composer’s studio and at the Groupe de recherches musicales (Ina-GRM) in Paris with the assistance of the Canada Council [for the Arts]. The piece was presented on November 2, 1990 at the Montréal musiques actuelles festival.

        Bédé was commissioned by empreintes DIGITALes and was recorded on the disc Électro clips [IMED 9004, IMED 9604] in 1990; a stereo recording of a multitrack sound diffusion was produced at The Banff Centre for the Arts (engineers: Antonio Oliart and Stephanie Rogers; assistant: Jennifer Lewis) in July, 1993, and recorded on the disc Tangram [IMED 919/20]; a ramastered studio version was recorded on the rerelease of Tangram [IMED 9920] in 1999.

        piste@imed_9604-1.15.15c oeuvre@23745
    • 16
      Landlocked (1990), 3m01s
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)
      piste@imed_9604-1.16 oeuvre@14252 ISRC CAD509612920
    • 17
      Prochaine station (1990), 3m02s
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)
      piste@imed_9604-1.17 oeuvre@14253 ISRC CAD509612930
    • 18
      Breathing Room (1990), 3m04s
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)
      piste@imed_9604-1.18 oeuvre@14254 ISRC CAD509612940
    • 19
      Man-Bridge (1990), 3m01s
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)
      piste@imed_9604-1.19 oeuvre@14255 ISRC CAD509612950
    • 20
      Qui est là? (1990), 3m03s
      • Commission: empreintes DIGITALes
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)

      To myself

      piste@imed_9604-1.20 oeuvre@14257 ISRC CAD509612960
    • 21
      Minisérie (1990), 3m05s
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)
      piste@imed_9604-1.21 oeuvre@14258 ISRC CAD509612970
    • 22
      Temps incertains (1990), 3m02s
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)
      piste@imed_9604-1.22 oeuvre@14259 ISRC CAD509612980
    • 23
      I’m looking at my hand (1990), 3m01s
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)
      piste@imed_9604-1.23 oeuvre@14260 ISRC CAD509612990
    • 24
      Mambo à la Braque (1990), 3m02s
      • Commission: empreintes DIGITALes
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)
      piste@imed_9604-1.24 oeuvre@14261 ISRC CAD509613000
    • 25
      Bajanoom (1990), 3m00s
      • Premiere: November 2, 1990, Montréal musiques actuelles / New Music America, Théâtre Les Loges (Montréal, Québec)
      piste@imed_9604-1.25 oeuvre@14089 ISRC CAD509613010