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My work unites living Time and Space.
On the one hand, it develops expressions of space for music. It then integrates them into already existing expressions of time or, better still, designs them during the very process of creation, as new expressions of time are revealed.
On the other hand, it modulates sound patterns (chosen for their morphological or imaginal qualities) by highlighting their roots in ways that energize them. Playing with the mental images that are suggested thus makes it possible to perceive the nature of the living phenomena that arise from the process.
The spirit of the dance and the need for silence are the emitters/transmitters that I have chosen to guide me.
During the composition phase, their presence assert themselves and then wane, leaving the spirit to guide the senses.
And so, between Heaven and Earth, listening is vertical.
I would like to thank Annette Vande Gorne for the many days I spent in the studios of the association founded by her, Musiques & Recherches. I also acknowledge the support I received from the Ministère de la Communauté française and Lionel Larue throughout the realization of this project.
Stephan Dunkelman [iv-02]
notice@imed_0263-0001