Various artists

DISContact!

CEC 92CD
1992
CD
2 discs
Out of print

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Radio // DISContact!
DISContact!
Mimetismo (1992), 10m36s [excerpt]
Track 11 from DISContact!
2xCD: CEC-PeP (1992) CEC 92CD
Arturo Parra, guitar
    • 1
      Two Minute Warning (excerpt), 1m52s
      • Composer: David Lindsay
      piste@cec_92cd-2.1 oeuvre@12996
    • 2
      Contact! (excerpt) (1992), 48s
      piste@cec_92cd-2.2 oeuvre@13007
    • 3
      piste@cec_92cd-2.3 oeuvre@13010
    • 4
      Frostie (excerpt), 2m55s
      • Composer: Frank Koustrup
      piste@cec_92cd-2.4 oeuvre@13011
    • 5
      Wervelwind (excerpt) (1991), 2m52s
      • Léo Verheyen, trombone
      piste@cec_92cd-2.5 oeuvre@13012
    • 6
      Negatio (excerpt), 2m03s
      • Composer: John Kamevaar
      piste@cec_92cd-2.6 oeuvre@13013
    • 7
      Last Night (excerpt), 2m47s
      • Composer: Bentley Jarvis
      piste@cec_92cd-2.7 oeuvre@13014
    • 8
      Night-flowering… not even sand-II (excerpt) (1990), 2m55s
      • Composer: James Harley
      piste@cec_92cd-2.8 oeuvre@13015
    • 9
      La ville machine (excerpt) (1992), 3m06s
      • Commission: ACREQ, with support from the CCA
      • Premiere: June 18, 1992, CKUT FM (Montréal, Québec)

      When fact abolishes deed, when threat becomes expectation, thought compels the impossible. They believed in it. All of them. An electroacoustic drama. With the voices of François Godin and Hélène Mondoux. Thanks to the students of Nouvelles Querbes School. La ville machine was commissioned by ACREQ for the 7e Printemps électroacoustique with support from the Canada Council. La ville machine was composed in collaboration with writer Lyette Limoges.

      La ville machine was produced in the composer’s studio. It was presented at the 7e Printemps électroacoustique de Montréal during the radio program Sons d’esprit on CKUT FM in Montréal. It was also presented in concert on June 20, 1992 at the Musée d’art contemporain de Montréal. La ville machine was commissioned by the Association pour la création et la recherche électroacoustiques du Québec (ACREQ) with support from the Canada Council [for the Arts]. Thanks to Hélène Mondoux and François Godin (narration) and to the children of the École nouvelle Querbes in the city of Outremont. In 1993, La ville machine was awarded the Grand Prize at the competition of the SOCAN (the Canadian preforming right society).

      piste@cec_92cd-2.9 oeuvre@14215
    • 10
      Hsüan (excerpt), 3m03s
      Guzheng (Chinese zither), and tape
      • Commission: Zhang Yan , with support from the Alberta Foundation for the Arts

      Hsüan was commissioned by Zhang Yan with financial assistance provided by the Alberta Foundation for the Arts. The tape part was realized at the University of Calgary Electroacoustic Music Studio using a Macintosh IIcx computer with SampleCell.

      piste@cec_92cd-2.10 oeuvre@12997
    • 11
      Physics of Seduction. Invocation #2 (excerpt) (1991), 3m03s
      harpsichord, and tape
      • Vivienne Spiteri, harpsichord
      • Commission: Vivienne Spiteri, with support from the CCA
      • Premiere: August 1, 1992, Vivienne SpiteriNEMO (Aarhus, Denmark)

      The tape portion of Physics of Seduction. Invocation #2 was produced in the composer’s studio in 1991 and the recorded harpsichord part was realized in the DIEM studio in Aarhus (Denmark) in 1992. The final mix of the tape and live part was done in the composer’s studio in 1993. It was commissioned by Vivienne Spiteri with assistance from the Canada Council for the Arts. The work was premiered by Vivienne Spiteri on August 1st, 1992 at the NEMO festival in Aarhus (Denmark). Physics of Seduction. Invocation #2 was recorded by Vivienne Spiteri for the compact disc comme si l’hydrogène… the desert speaks on J&W Records (J&W 931).

      New recordings of the drum parts (performed by Philippe Keyser) were made for the remastering process. This work was reprocessed, remixed and remastered in the composer’s studio in 2001-02.

      piste@cec_92cd-2.11 oeuvre@13903
    • 12
      Studio de nuit (1992), 3m00s
      • Premiere: September 2, 1995, Futura (Crest, Drôme, France)

      Here we surprise the acousmotrope, engaged in his rituals and his creations, in a half-real, half-dreamed moment of nocturnal composition for Figures de la nuit / Faces of the Night, a work for radio commissioned by David Olds for the program Transfigured Night, on CKLN-FM in Toronto.

      Along with the voice of the artist, we hear (in order of vocal appearance) those of Laurie Radford, Pierre Daboval, Justice Olsson, Marie Pelletier, Jean-François Denis, and Pierre Louet.

      Studio de nuit (Studio at Night) was realized in the composer’s studio in 1992 and premiered on 2 September 1995 as part of the Festival international d’art acousmatique Futura (Crest, France). Studio de nuit was recorded on the 1992 disc DISContact! 6.2 (CEC 92CD).

      piste@cec_92cd-2.12 oeuvre@13916
    • 13
      Solarsystemless (excerpt), 2m51s
      • Composer: Robert Del Buono
      piste@cec_92cd-2.13 oeuvre@13000
    • 14
      Tesla’s Dream (excerpt), 2m59s
      piste@cec_92cd-2.14 oeuvre@13001
    • 15
      Joie (1992), 2m38s
      • Premiere: October 27, 1992 (Montréal, Québec)

      To Gilles Tremblay

      This miniature was premiered on October 27th, 1992 during a concert dedicated to the 60th anniversary of the composer.

      piste@cec_92cd-2.15 oeuvre@13002
    • 16
      Zero and One: Stations and Directions (excerpt) (1992), 3m13s
      piste@cec_92cd-2.16 oeuvre@13003
    • 17
      It’s about time (excerpt) (1992), 1m45s
      piste@cec_92cd-2.17 oeuvre@13004
    • 18
      Attraction (excerpt) (1992-93), 3m04s
      • Premiere: 1993, Université Concordia (Montréal, Québec)

      To my love Brenda

      Produced through the use of digital editing, this is the first part of a work that has yet to be completed. Do not look for any music or plot (unless it’s of your own invention). My goal in this piece is to shape precise and complete forms, resembling those found in the work of certain visual artists.

      Attraction was realized in the studios of Concordia University and various personal studios. This piece could not have come to be without the voice of Edgard-Émile Hudon, and the help of Gregory Fine, Pierre De Gagné, Frédéric Roverselli and Claude Schryer. Attraction was premiered in the Fall of 1993 at Concordia University and was awarded 3rd Prize — solo tape category — of the 15th Luigi Russolo International Competition (Varèse, Italy, 1993)

      piste@cec_92cd-2.18 oeuvre@14419
    • 19
      Immersion (excerpt), 2m55s
      • Composer: Egils Bebris
      piste@cec_92cd-2.19 oeuvre@13006
    • 20
      Tablao (excerpt) (1990), 2m36s
      • Commission: Flores Chaviano, with support from the CCA
      • Premiere: February 1992 (Madrid, Spain)

      Tablao was composed in the fall of 1991 at the Laboratorio de Informatica y Electronica (LIEM) from the Centro de Arte Reina Sofia in Madrid, Spain and at my studio in Vancouver. Flamenco music had been around my ears since my childhood, on the radio, recordings, TV, the readings and plays of Garcia Lorca and the stories of old relatives in Cuba, and later on during my visits to Andalusia. The place where Flamenco music is performed is usually called Tablao. Originally written for guitar and electronics, the piece contains the essence of different instrumental elements of Flamenco music in a dissected way. The piece was commissioned by Spanish guitarist Flores Chaviano with the assistance of a grant from The Canada Council. The present is an excerpt without the guitar part.

      Tablao was realized in the Fall of 1991 at the Laboratorio de Informática y Electrónica Musical (LIEM) from the Centro de Arte Reina Sofía in Madrid (Spain) where I was invited to work with my old friend guitarist Flores Chaviano. The piece was completed at Ireme Studio in Vancouver (British Columbia, Canada). It was commissioned by Flores Chaviano with the support of the Canada Council [for the Arts] and premiered by him in Madrid in February, 1992. The Canadian premiere was presented by Montréal-based Colombian guitarist Arturo Parra in 1994 in Montréal.

      piste@cec_92cd-2.20 oeuvre@14302
    • 21
      Perspectives Radio (1991), 21m41s
      piste@cec_92cd-2.21 oeuvre@13009

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