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Stéphane Roy will be in Bremen and Oldenburg (Germany) on October 24 - 27, 2011 to present a concert (works by Martin Bédard, Georges Forget, and Stéphane Roy) and two conferences on electroacoustic music analysis. First stop is during the Scanned: Elektroakustische Musik im Fokus event at Haus der Wissenschaft (conference on April 24) and at Oldenburger Kunstverein (concert on April 25). The second conference will be given on April 27 at the music department of the Carl von Ossietzk Universität Oldenburg.
On March 30, 2011 the 5th and last concert of the Électro-chocs series presented by Conservatoire de musique de Montréal is a carte blanche to Stéphane Roy who will premiere Train d’enfer.
The 5th edition of the Festival di interpretazione della musica acusmatica in Cagliari (Italia) will take place from June 26-29, 2008 at the Università di Cagliari (Facoltà di lettere e filosofia). The opening day will be dedicated to a round-table conference followed by a series of double concert programmes curated respectively by Stéphane Roy and Beatriz Ferreyra; Diego Losa and Leo Kupper; Lucio Garau and Åke Parmerud. Also, the piece Les Territoires secrets by Stéphane Roy will be premiered as part of the Lucio Garau concert (June 29).
La basilique fantôme by Arturo Parra and Stéphane Roy has been selected by the VII Festival Internacional de Música Electroacústica, Ai-maako 2007 in Santiago (Chile), and will be presented on October 17, 2007. Also note the presence of Åke Parmerud who will present a portrait concert, Francis Dhomont, Beatriz Ferreyra, Elsa Justel, João Pedro Oliveira, Hans Tutschku, and Trevor Wishart Amongst many others…
Sound Travels’ Multichannel Acousmatic Concert — produced by New Adventures in Sound Art (NAISA) — will take place on August 12, 2006 at St Andrew-by-the-Lake Church. On the programme are works by Benjamin Thigpen, Stéphane Roy, Denis Smalley, John Young, Francisco López, and Sarah Peebles (sho and tape).
Composers Paul Dolden and Stéphane Roy each won an Opus prize in their respective categories. Dolden won in the “Disc of the Year — Musique actuelle and Electroacoustics” category for his recent album Seuil de silences (an expanded and entirely remixed and remastered reissue of The Threshold of Deafening Silence). Roy won in the “Book of the Year” category for his L’analyse des musiques électroacoustiques (“Models and propositions for electroacoustic music analysis”).
L’analyse des musiques électroacoustiques by Stéphane Roy is nominated for the Conseil québécois de la musique’s 8th prix Opus in the category “Book of the Year.” The author, who is a composer, also sees his most recent album, Migrations, nominated in the category “Disc of the Year — Musique actuelle and Electroacoustics” and his article L’utopie, contrée fertile de l’aventure électroacoustique, published in Septentrion, nominated for “Article of the Year.”
Four of empreintes DIGITALes’s 2004 discographic productions are nominated at the Opus awards in the category “Disc of the Year — Musique actuelle and Electroacoustics”: Fractures by Christian Bouchard, Le contrat by Gilles Gobeil and René Lussier, Seuil de silences by Paul Dolden and also Migrations by Stéphane Roy.
Christian Bouchard
Christian Calon
Yves Daoust
Robert Normandeau
Roxanne Turcotte
For the “Monde parallèle Montréal 45°N//” event, organized by Lille — Cultural Capital of Europe, label empreintes DIGITALes presented a portrait of Montréal’s electroacoustic creation since 1971 through 24 works by 21 Montréal composers: Serge Arcuri, Yves Beaupré, Christian Bouchard, Ned Bouhalassa, Christian Calon, Micheline Coulombe Saint-Marcoux, Yves Daoust, Francis Dhomont, Paul Dolden, Louis Dufort, Gilles Gobeil, Monique Jean, René Lussier, Robert Normandeau, Arturo Parra, Mario Rodrigue, Stéphane Roy, Alain Thibault, Jacques Tremblay, Marc Tremblay, Roxanne Turcotte. Electroacoustic label empreintes DIGITALes, new media and electronic art festivals Elektra and Mutek with the collaboration of the Society for arts and technology (SAT) all teamed up to present the best of Montréal’s electronic music and video.
Bathed in impressions from his years of traveling, Migrations marks the CD return of Stéphane Roy after his recent collaboration with Arturo Parra on the disc Parr(A)cousmatique. The three works of Migrations are stamped by the “cultural itineration” he felt during his five years spent in the American Midwest.