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Paul Dolden will premiere his work The Un-Tempered Orchestra on the opening night concert of the SinusTon festival in Magdeburger (Germany), October 14 to 18, 2010.
Paul Dolden will be present at the premiere of his work for ensemble and tape Who Has the Strangest Melodies? by Ensemble Phoenix Basel on June 5, 2010 in Basel (Switzerland). He will then accompagny the ensemble at the repeat performances in Basel and Bern (Switzerland), and Rottweil (Germany).
Paul Dolden will be in composer / audio artist in residence on May 9 - 22, 2010 at Avatar in Québec City.
Swedish guitarist Stefan Östersjö will premiere the work Who Has the Biggest Noise? by composer Paul Dolden on March 27, 2010 during the Hanoi Sound Stuff festival in Vietnam.
Réseaux presents Akousma (6), Electroacoustic Musics Festival, on November 18 - 22, 2009 at Monument-National and Conservatoire de musique de Montréal. 5 evenings of immersive concerts where sound will be bursting into shards of all shapes and sizes. On the programme: BJNilsen, Theresa Transistor, Paul Dolden, Chantal Dumas, Lionel Marchetti, Érick d’Orion, eRikm, Martin Messier, Olivier Girouard and many others. Plus conferences and workshops.
Paul Dolden is writing a commission for the Ensemble Phoenix Basel (Switzerland). The work called Who Has the Strangest Melodies? will be premiered in their 2009-10 concert season.
Paul Dolden will be in performance for an evening of structured improvisation with James Newhouse on Sunday April 6, 2008 at La Sala Rossa, Montréal. Who Can Play the Fastest? will also feature Sylvain Houle (saxophone) performing Paul Dolden’s work Revenge of the Repressed. Resonance #2.
Fresh news on Paul Dolden’s activities. He just completed the piece Who Can Play the Fastest?, commissioned by the Stockholms Saxofonkvartett. He is also working on two other works: Who Has the Biggest Noise? — a commission by Swedish guitarist Stefan Östersjö —, and Who Has the Biggest Sound? (for “tape”). We’ll let you know about the respective places and dates of the premieres.
With Geisteswissenschaften, A_dontigny approches directly or metaphorically an artist (Koons, Turner), a movement (American and French abstractionism), an author (Nietzsche, Foucault, Derrida, Frege) or even a concept (such as the impossible to translate “Wirkungsgeschichtesbewusstsein”) and produces a disc which is in parallel to ‘traditional’ electroacoustics and (industrial, punk and techno sub-cultures) electronica. A feast made with 3 accomplices: Paul Dolden, Diane Labrosse, and Jon Vaughn.
An interview with composer Paul Dolden by Jeremy Owen Turner is published in issue 96 of Musicworks, Toronto (Canada).